Spanish Village Art Center - Balboa Park

The 37th Annual Small Image Show is Open!

2012-01-26T09:44:00.000-08:00

OMG, Folks. Just take a Preview Look!!

"Midnight Schemer", mixed media by Linda Kardoff
IMAGES ARE COPYRIGHT PROTECTED

Gotta run to the studio, but I just had to give you all a quick peek at the FANTASTIC work of some of the artists in this year's 37th Annual Small Image Show at Gallery 21, located in Spanish Village Art Center at 1770 Village Place, San Diego, California. The show just opened and is, I have to say, (so does Monique Straub, pastel artist in studio 34B) one of the best, if not "the best" I have witnessed. WOW...and then some! As I said, I have to run to the studio, so I will continue the commentary later. But, just to whet your appetite, here are a few of the amazing art pieces that you will see in the exhibition. There are so many, it is difficult to choose a favorite, but I'll give it a whirl after the reception.

"Two Visionaries", porcelain mixed media by Sue Bakely
IMAGES ARE COPYRIGHT PROTECTED

"Media Pouch", leather by Margaret Gordon-Espe
IMAGES ARE COPYRIGHT PROTECTED

"Horse IV", Mixed collage by Suzanne LaJoie
IMAGES ARE COPYRIGHT PROTECTED

"Blue Ring Teapot", clay by Vaughan Nelson
IMAGES ARE COPYRIGHT PROTECTED

               "Cat and Mouse", mixed media by Mimi Levinson
               IMAGES ARE COPYRIGHT PROTECTED

How's that for star quality? I visited the show, briefly, yesterday and I am clearly impressed. You will be, too. The opening reception is on January 28, 2012 from 4:00 p.m. - 8:00 p.m., with fantastic cuisine and musical ambiance, gratis. But, don't worry. I won't keep you hanging until then.

I'll be back in a jiff to fill you in on the Winners of the competition, and Who's Who among Purchase Awards recipients.   Can you say...TALENT (three times in a row...real fast)?

Written and posted by Cassandra Shepard, Studio 32
All images, text and content copyrighted, 2012, all rights reserved

Call for 37th Annual Small Image Show in Gallery 21

2012-01-03T09:21:00.000-08:00

Event photography by Rose Stepan Photography

IMAGES ARE COPYRIGHT PROTECTED

A CALL FOR ARTISTS, ALL MEDIA:

Hello All,

It's that time again, when Gallery 21 in Spanish Village Art Center hosts the Annual Small Image Show. This is the 37th Annual Small Image Show, and of course we are proud to present this much loved event each year. Over the years the Small Image Show has grown and become a time-honored and much anticipated exhibition for artists and art enthusiasts alike. The show is scheduled to run from January 25 - February 27, 2012. Gallery 21 will be open daily from 11:00 a.m.-4:00 p.m., where one or more of the participating artists will be there to greet guests. In conjunction with the show, the Opening Reception will be on Saturday, January 28, 2012 from 4:00 p.m.-8:00 p.m.

The mission statement for the Annual Small Image Show is to provide a unique challenge for the artist by utilizing a small image concept in the widest range of visual expression. Art is accepted in the following categories: Oils, Watercolors, Acrylics, Printmaking, Photography, Sculpture, Enamels, Fibers, Mixed, Ceramics, Glass, Wood, Jewelry, Digital and all Media. All submissions must be made by the artist.

IMAGES ARE COPYRIGHT PROTECTED
"Two Pieces of View", by Vicki Leon, glass artist

Delivery of artwork for the jury process has a deadline of Friday, January 13, 2012 (1:00 p.m.-7:00 p.m., and Saturday, January 14, 2012 (10:00 a.m.-4:00 p.m.), at Gallery 21, Spanish Village Art Center, 1770 Village Place, San Diego, California, 92101.

The competition is open to all artists. All work must be original and completed within the last year. Work done under the supervision of an instructor, or work requiring special installation or handling will not be accepted.

Preparation and (required) specifications for juried work is: Artwork measures no more than 10" in any direction (or dimension), including frame, base and display. (Qualifying criteria for acceptance in the competition)

With your participation and support, let's make this another fantastic year for the 37th Annual Small Image Show and competition. I can hardly wait to meet all of you at Gallery 21, and experience the magnificence of your artistic expression. So, hurry. Don't hesitate...just step right up "artisanos". The long line starts to the right! I'll be the one with the BIG smile!

For more detailed information and entry forms for the 37th Annual Small Image show, visit: www.gallery21art.com.

Written and posted by Cassandra Shepard, Studio 32
All images, content and text copyrighted, 2012, all rights reserved

Flamenco Sevillanas in Spanish Village Courtyard

2011-12-30T10:34:00.000-08:00

IMAGES ARE COPYRIGHT PROTECTED

"Flamenco Dancers", by Ilya Idelchik
Member of San Diego Sculptors Guild

Hello All,

Well we are all back from the Christmas holidays, and back to business as usual in Spanish Village Art Center. As I walked into the patio area of the Village on Wednesday, I was, immediately, awed by the image of these two amazing figures positioned in the middle of the courtyard. They are a two part vision of life sized flamenco dancers created by Ilya Idelchik of the San Diego Sculptors Guild (SDSG) in studio 36.

As I walked around these figures, I was utterly amazed at the perfect positioning of all elements of the composition, and the physical makeup of both dancers. I, literally, could not find a bad angle no matter where I stood. The attention to detail, and Ilya's knowledge of the "dance" is compelling and mesmerizing.

The "Flamenco Dancers" are a veritable confection of sculptural forms, decorative metal and paint, meticulously applied, that is characteristic of Ilya's work. It can be said in fact, that it is his own "signature", exclusively recognizable under any circumstance. Ilya has breathed "life" into painted resin and flowing, rippling metal in an unmistakeably "trompe l'oeil" fashion. Viewers who have never danced suddenly discover a "dancer's soul", become transformed and are caught up in the moment. So much so that they are inspired to strike the same poses as the dancers, and preserve their experience in photos. Now, I'd call that "mission accomplished", Ilya.

IMAGES ARE COPYRIGHT PROTECTED

Ilya Idelchik is a graduate of St. Petersberg University in Russia where he studied classic art and sculpture, focusing on public art and decorative metalwork with a special interest in abstract painting. Before moving to the United States in 1997, he participated in projects for the Art Museum and the Museum of History and Culture in Russia. His attributes include building design, museum restoration and office interior design. In the United States, Ilya's career has revolved around art design, sculpture and abstract painting for public and private clients.

The "Flamenco Dancers" is the first in a series of sculptural exhibits to be presented by the San Diego Sculptors Guild on the courtyard patio, in conjunction with Spanish Village Art Center. Sergey Gornushkin, president of SDSG, enthusiastically, shared future plans of the guild to present a new sculptural exhibit, by one of their members, every month to two months. The display will change, accordingly, several times throughout the year. This will showcase the many talented sculptors in the guild and promote public art, as well as entice and intrigue visitors to Spanish Village Art Center. It is a particular interest of SDSG to encourage and increase public awareness of art, and to promote the appreciation of it through these exhibits.

IMAGES ARE COPYRIGHT PROTECTED

The San Diego Sculptors Guild, studio 36, is located at 1770 Village Place, San Diego, California in Spanish Village Art Center in Balboa Park. For more information on members and events: http://www.sandiegosculptorsguild.com/

Written and posted by Cassandra Shepard, Studio 32
All images, text and content copyrighted, 2011, all rights reserved

7 Printmakers Return to Gallery 21

2011-11-11T12:06:00.000-08:00

"Summer", drypoint and roullette by IGOR KOUTSENKO, printmaker
IMAGES ARE COPYRIGHT PROTECTED

Hello All,

Heads up! Those fabulous 7 Printmakers are back at Gallery 21, and the exhibit is as fantastic as last year's. This is the group's 17th Annal Exhibition featuring Jacqueline Dotson, Kathleen McCord, Julianne Ricksecker, Sfona Pelah and Angelika Villagrana. There are two new guest artists in the show this year. They are Igor Koutsenko and Beth March. The exhibition runs 11/2 - 11/14, 2011 at Gallery 21. It is open daily from 11:00 a.m. to 4:00 p.m. As always, the talented and congenial artists are waiting to welcome visitors to the show, and share the printmaking experience with them.

I popped in yesterday, after returning from a 3 week vacation, and was so pleased to see the show. These dedicated souls never cease to amaze me with their vision, and their capable transference of these visions to their avid admirers and collectors. It is a "must see" show for everyone. I will revisit the gallery on Saturday, and really peruse each piece.

"Untitled" monoprint by SFONA PELAH, printmaker

"Books and Oil Lamp", digital print by
SFONA PELAH, printmaker

For now here are some photos to whet your appetite. Believe me, folks, there is much, much more at the 7 Printmakers 17th Annual Exhibition to charm and amaze you. The diversity and magnitude of the work done by these artists is second to none. Each piece is an exquisite masterpiece that compels one to stop and experience a feeling, moment or mood captured to perfection. Once again, the 7 Printmakers prove their dedication to their art, and skills that are continually growing.

We (artists and collectors, alike) can all take a lesson from these "7"... and, strive to "up our game!" A continual quest to research, learn and grow. An ongoing expansion of oneself and one's skills, and then, expressing this in one's art is, to me, the quintessential goal of an artist. You have my word, folks, the "magnificent 7" stand and deliver this quintessence every time.

"Mystic Falls", monotype by JULIANNE RICKSECKER, printmaker
IMAGES ARE COPYRIGHT PROTECTED

"Flirtatious", intaglio by JACQUELINE DOTSON, printmaker

"Palm Canyon Falls", etching and aquatint by JULIANNE RICKSECKER, printmaker

"Barmaid", intaglio by KATHLEEN McCORD, printmaker
IMAGES ARE COPYRIGHT PROTECTED

"Rainy Day", intaglio by JACQUELINE DOTSON, printmaker
IMAGES ARE COPYRIGHT PROTECTED

I am so excited to return to the show for a second look, and to take it all in. I can hardly wait. See all of you enthusiasts there. Oh, and yes, all of you who want to "Up your Game". These amazing
7 Printmakers can teach you a thing or two!

"Balboa Park", woodcut by IGOR KOUTSENKO, printmaker

IMAGES ARE COPYRIGHT PROTECTED

The 7 Printmakers are independent artists living in San Diego County. For more information, and their resumes, please refer to my blog entitled, "7 Printmakers Make Their Mark at Gallery 21", dated 10/23/10.

Written and posted by Cassandra Shepard, Studio 32
All images, text and content copyrighted, 2011, all rights reserved

Don't Tango in Berlin...or, You may never leave the City

2011-10-03T13:17:00.000-07:00

"La Fille du Desert", Guy Mayenobe, Photographer
IMAGES ARE COPYRIGHT PROTECTED

Hello All,

As promised, I am giving you a followup blog on the fantastic photographic exhibit, "Don't Tango in Berlin" (or, you may never leave the city), presented by Janine Free and Guy Mayenobe at Gallery 21, September 21 - October 3, 2011.

You know, I have known a few amazing photographers in my life, all of exceptional talent and vision. But, as much as I appreciate and support their work, I have to say that I have never met or seen better than Janine Free and Guy Mayenobe, strictly from an artistically visionary standpoint. I am always astonished and completely fulfilled by their work which is like no other that I have seen. Simply, intriguing.

Guy's usual work (Can one even call it that?) takes unlike elements of real life objects, and layers them with still life forms such as mannequins or inanimate objects. The resulting effect is one of almost lifelike mannequins with eyes, lips and features, when superimposed onto the plastic form, fool the viewer into taking a second look to determine if what they are seeing is real..."actual". (As in "La Fille du Desert", shown above.) In opposition, Guy will use a live model (mannequin en francaise) and, then superimpose inanimate material into the photographic image. Once again, compelling viewers to "lean in" closer, in an effort to figure out what is "real" and what is make believe. Oh, that is so clever of you, Guy!

Okay, it's time for that ''writer's break" that I always mention...stretch my legs, go for coffee. You know. Be right back with the "scoop" on "Don't Tango in Berlin". That's the real scoop that your are anticipating.

Here's a little preview: "Tiger Woods", by Guy Mayenobe

"Tiger Woods", by Guy Mayenobe, Photographer
IMAGES ARE COPYRIGHT PROTECTED

And, yet another: "Kreuzbeg Fire Station", by Janine Free

"Kreuzberg Fire Station", by Janine Free, Photographer
IMAGES ARE COPYRIGHT PROTECTED

As long as we are on the subject: "White Trash", by Guy Mayenobe

"White Trash", by Guy Mayenobe, Photographer
IMAGES ARE COPYRIGHT PROTECTED

Written and posted by Cassandra Shepard, Studio 32
All images, text and content copyright, 2011, all rights reserved

An Invitation from Steve Gould...Taste & Art Stroll

2011-09-28T12:40:00.000-07:00

                                                2011 DEL MAR TASTE AND ART STROLL

  Photographic images by Steve Gould
  IMAGES ARE COPYRIGHT PROTECTED

Hello All,

Remember Steve Gould that fabulous photographer who "wowed" us at Gallery 21 last year, with his Antarctic sojourn, "To the End of the Earth"? Well, he just sent over an invite to his newest photography exhibit at the Del Mar Taste and Art Stroll. It sounds great, so here is the invitation in Steve's own words:

Please visit me at the Del Mar "Taste and Art Stroll", Sunday, October 2, from 10 a.m. - 5 p.m. Camino Del Mar (Pacific Coast Highway) in Del Mar from 15th Street to 10th Street. My booth will be number 93, just south of 12th Street.

Steve says that, "This link will tell you all about this great one-day event:
http://www.sandiegocoastlife.com/events/san-diego-coast/events-taste-of-del-mar#.ToNpLcloszQ.email

The photographs shown above are just "a taste" of what Steve will have on hand to delight the eye, and evoke the emotions. Everyone, "Pack up your old glad bag...and visit Steve Gould in Del Mar this Sunday. And, while you are there, "taste" a few culinary delights for me!

Visit Steve's website at: Steve Gould Photography

Written and posted by Cassandra Shepard, Studio 32
Images, text and content, copyrighted, 2011, all rights reserved

1st Annual SVAC Rummage Sale...Come on Down!

2011-09-21T08:39:00.000-07:00

For more information:

FrankC@designsinshell.com (studio #14)

Spanish Village Art Center - 1770 Village Place - San Diego, California 92101

www.spanishvillageartcenter.com

Come on Down and Join the Fun, Folks. This is going to be a whole lot of fun, and a chance for all of you aspiring artists and crafters to grab some art "goodies" at GREAT prices! Get there early to get the Good Stuff. See You All there...and don't forget to bring your carts and wagons (to haul your booty home in)!

Written and posted by Cassandra Shepard, Studio 32
All images, logos and text are copyright protected, 2011, all rights reserved

Free and Mayenobe..."Don't Tango in Berlin"

2011-09-20T09:54:00.000-07:00

Hello All,

Heads Up..."They're Back". Yep, you guessed it, Janine Free and Guy Mayenobe those fantastic photographers with their rare and innovative take on the visual world. Things seen and perceived in a truly non-traditional form, to say the least. These two live and create in a rarefied space that few often inhabit. Janine Free and Guy Mayenobe are coming back to Gallery 21 for their latest exhibition, "Don't Tango in Berlin", Street Photography and Cutouts.

The new exhibition opens on September 21, 2011 and runs through October 3, 2011. The opening reception is on September 24, 2011 from 12:00 - 4:00 p.m. Gallery 21 is located in Spanish Village Art Center at 1770 Village Place in scenic Balboa Park.

Last year's exhibition, "The Real Life of Mannequins" was simply "mind blowing", and I am sure that Janine and Guy will give us no less in this year's, "Don't Tango in Berlin". All the photography will focus on street art and the many angles from which it can be perceived. If you know Janine and Guy like I do, then you know to expect some pretty spectacular "viewpoints and angles" that one does not often see. The title alone has me completely intrigued.

In Janine's own words, "Guy and I set out to dispel the negative view [of street art] by making our own art out of the street photographs we took in Berlin...In our new show, "Don't Tango in Berlin" (or you might never leave the city), we tell our stories with the same opposite but complementary styles that was evident in our last year's duo show, "The Real Life of Mannequins." Guy adds some further insight as, "...I was amazed by the prominent use of posters in the streets..the use of graffiti painted on paper and glued to the walls. Both those posters and graffiti are modified by the time, weather and partial teardowns, generating new art form. This is what I am capturing in pulling those forms out of their context (ie. the wall) and laying then down on a neutral background, therefore revealing their meaning."

Well, I don't know about you, folks, but in my book you can't say it any better than that. As always, Janine and Guy are exquisitely skilled in creating visions in our minds with their European flavored verbiage. I can't say it enough times..."I am intrigued."

I'll let you in on a little secret. While speaking with Janine last week, she humorously whispered to me that, "I don't even know what Guy is doing this time...He won't tell me!" Now, that alone promises to be a real show stopper, don't you think? As I said, I am intrigued, and so will you be. Anything involved with these two can't be anything else. Janine Free and Guy Mayenobe, amazing capturers of the unforeseen. Prestidigitation has nothing on them.

I'll be back with more details on the show after the opening reception. Don't want to take away the anticipation that Janine and Guy always project. I can hardly wait. See you there! Oh, and don't forget..."Don't Tango in Berlin" (or you might never leave the city).

Written and posted by Cassandra Shepard, Studio 32
All images, content and text copyrighted 2011, all rights reserved

"Point of View"...Through the Lens and Back

2011-09-19T14:29:00.000-07:00

"Shaolin" by Jeffrey Brosbe, Photographer
IMAGES ARE COPYRIGHT PROTECTED

Hello All,

How's this for an "eye opener"? Or, should I say a "lens opener"? "Po-tay-toe...Po-tah-toe", either way it's certain that the "Point of View" photographic and digital art exhibit showing at Gallery 21 will open up your eyes and your mind! It is a visual feast for the eye no matter who's lens it is seen through. Yours, mine, the photographers'...none will go lacking, I promise.

The show runs from 9/7 - 9/19/11 at Gallery 21, located in Spanish Village Art Center at 1770 Village Place, San Diego, California. One or more of the super talented photographers will be on hand to greet guests from 11:00 a.m. - 4:00 p.m., and will walk them through the exhibit with friendly exuberance. Amateur and professional shutterbugs alike will marvel at the range and variety of images, and techniques presented by the group. Collectors will not want to miss this magnificent experience.

There are five photographers in this year's exhibition. The are Jeffrey R. Brosbe, Janine Free, Dana Levine, John Valois and Judi Works. What an accomplished group of artists they are. And, believe me, folks, no one had to twist my arm or ask me to put a "plug" in for them. Their work speaks for itself. It spoke to me in myriad shades and tones, black and white and living color! Just you go and see!

"Mela Sonepur" by Jeffrey R. Brosbe, Photographer
IMAGES ARE COPYRIGHT PROTECTED

Magnificent is the color of Jeffrey R. Brosbe's palette. Vivid and large as life are his subjects. Clarity and instancy are his instruments of delivery as he freezes emotion, intense and palpable, in every frame. I gravitate to the essence of the moment in each photograph. His eye has no rival. This is my immediate reaction to the photography of Jeff Brosbe. My initial reaction to the maestro, himself, was one of deja vu.

As he walked toward me, in introduction, the walls of Gallery 21 receded, and I imagined myself in a sun splashed salon in Tuscany or the piazza in Verona, Italy as I watched an unknown, yet familiar, presence approaching. I assure you, I haven't the slightest idea if Jeffrey Brosbe is of Italian descent, but the "cut of his jib", the refinement of his manner and the spotless perfection of his couture most reminded me of that time and place. A resplendent Renaissance man. I almost started humming "Figaro, Figaro..." under my breath. The man and the art are, likewise, the same..."immediate and brilliant". As he introduced himself and took my hand, I fairly expected him to brush it, ever so courteously, with a kiss.

Meeting Jeff and experiencing his photography are much the same. One is captured in the moment and completely mesmerized (charmed, as it were) by some inexplicable aura. The frozen fluidity of the dancers in, "Shaolin" exactly defines the mastery of Jeffrey Brosbe's lens, as does the photo of "Mela Sonepur" where he pauses time in an Indian marketplace set under a tree, and bathed in the rays of a rising sun. Once again, "immediacy" brilliantly captured. There is no mistaking the emotional quotient that Jeffrey's photos evoke in the viewer. It is like a living, breathing thing surrounding you, welcome and inviting. And, then, there is Jeffrey R. Brosbe, himself..."Figaro, Figaro, Figaro..."

                        "Rainy Day Muse", by Dana Levine, Photographer
                        IMAGES ARE COPYRIGHT PROTECTED

As enlivening as color is, there is something about images captured in black and white that I can't resist. In this realm, Dana Levine excels. She has an exceptional ability of capturing forms in neutral tones, and creating movement and emotion with "still" subject matter. Just as impressive is her mastery of discretion in locating and freezing straight lines and angles, as well as curving biomorphic shapes juxtaposed with or against each other.

In most cases of art work using full color scale, I am enamored; but within Dana's unusual plane of neutrals...whites, grays and blacks, I am completely entranced when I stand in front of them; and my hand rises of its own volition to touch. (Of course, out of respect for the artwork and Dana, I still my hand in mid-reach.) But, it is the emotion that she evokes in me, and spectators alike, that is key here. Just take a look at "Rainy Day Muse" and "Trolley Dancer, No 1." Two completely different photographs with unlike subject matter...straight lines and angles versus biomorphic and natural shapes. Both are an excellent usage of neutrals...blacks, whites and grays.

Additionally, I was taught, and completely agree with my professors and peers, that if one can capture "it" (the tonal perfection of light and dark) in black and white without the advantage of the color spectrum, then one has certainly arrived at the ultimate level of observation and accomplishment. Tonal perfection and balance...the IT of awareness in Art. It is a sure thing that Dana has reached this level. Dana Levine has, as they say, "IT". Bravo!

                                    "Trolley Dancer, No. 1", by Dana Levine, Photographer
                                    IMAGES ARE COPYRIGHT PROTECTED

And, then there is something else to be said for COLOR. Color, glorious color. When it comes to color, I have to admit that, " I am All In". "A little bit of this...a little bit of that". MORE THAT! Color, that is. Just take a gander at John Valois' virtual ooze of color and pattern in, "Memories Spawning". Through his meticulous Photoshop adjustments, John transforms his photographs of everyday recognizable objects into magnificent swirls of color and light. He thus, creates a new energy and art form for the delight of eye and psyche. One almost forgets they are looking at a photograph. His work fools the eye (trompe l'oeil) into believing that it is really seeing a painting.

A rebirth of photography as an art form.  How interesting...Art reborn from Art. Sort of like the "Begats", if you catch my drift. Let's hear it for John Valois, COLOR and the "Begats". Who Knew? "Art begets Art". MORE...THAT, John.

"Memories Spawning", by John Valois, Photographer
IMAGES ARE COPYRIGHT PROTECTED

And, back to monotone...it's a hard choice. Hmmm. Oh Heck, I love 'em All. Thanks, Judi. You really know how to perplex a girl. Back to that same neutral tone mesmerizing effect with Judi Works' misty portrayal of fishing boats enveloped in swirls of early morning mist..."floating" along a riverbank. Maybe this is what they meant, when they said,"A river runs through it"! The mood and ambiance that is captured, excellently, in Judi's "Driftboats", needs no words. It is a visual presentation of perfection..."Light, dark and chill humidity on an early morning excursion along a river...an experience that many a fisherman has loved (my dad, included) and lived. My question is, "Where was Judi when she took this shot?" Sweet.

"Driftboats" by Judi Works, Photographer
IMAGES ARE COPYRIGHT PROTECTED

And now for Janine Free. I only have one thing to say about photographer, Janine Free. C'est Magnifique! True to form, Janine has awed us all once again with her floating images set in an almost 3-dimensional format. At least that is how it appears to the eye. I marvel at the myriad objects and scenery that Janine captures with her camera lens, each time I look at her photographs.

In actuality, these images are right in front of us everyday each time we look through a pane of glass. This is what truly amazes me. We (that's the population, in general) see these same objects all the time without having full cognisance of them. I liken it to looking with only "half an eye" or "minimized observation"...a mere, and complacent, glance at life that is happening all around us in parallel planes and multiple layers of existence. Sound kind of far fetched? Well, just take a look at this first.

"Le Noir" by Janine Free, Photographer
IMAGES ARE COPYRIGHT PROTECTED

Janine sees objects and scenery in this parallel plane world. The trick of Janine's true talent is getting others to recognize the existence of that which is not seen or automatically perceived. She has a natural sense of projection when it comes to this sort of thing. Her expertise at it is "unparalleled". I, and all others, who marvel at her photographs smile, take in a quick breath and, simultaneously, think, "Why didn't I ever notice that?" "Of, course. I see it, now." A real "eye opener" isn't it?

I will quote an excerpt from my past blog, dated 9/29/10, "The Real Life of Mannequins" featuring the digital photography of Janine Free:

"Janine's mastery of her subject matter is based on reflected imagery and the play of light off of surfaces and glass. Everything that is seen in her photographs is actually in the scene she originally shoots." " ...Carefully and creatively manipulated, the many layers of images, that one perceives in her photos, have been exaggerated or diminished, moved forward or into the background to create the effect that she wants one to see. Janine takes only one photograph in her process..."

And, so to be honest, I have thought, on more than one occasion, that Janine has the perfect and most appropriate name. So in tune with the direction of her thoughts and vision..."Free". Free to see what others miss or ignore. Free to capture the element of "freedom", itself; and then to set it free. Free to set inanimate objects free of spatial bounds. Ah, yes... "to freely set free the elements of perception, and thereby, free the mind and soul from a singular plane of awareness and confinement." Make sense? Ask, Janine Free. I bet she knows exactly what I mean.

"Tortured by Beauty", by Janine Free, Photographer
IMAGES ARE COPYRIGHT PROTECTED

Written and posted by Cassandra Shepard, Studio 32
All images, content and text copyrighted, 2011, all rights reserved

"There Ain't Nothing Like a Dame,VI"...and How!

2011-08-26T09:38:00.000-07:00

"REFLECTIONS II", PASTELS BY KAREN HOWARD
IMAGES ARE COPYRIGHT PROTECTED

Hello All,

Well..."They're Back"! Yeah, you guessed it! Those incredible Dames who do it All... and, How! Wow! Did somebody say, "WOW"? (Whoo...Whoo)!

                                   "SOPHIA WITH A BALL", WATERCOLOR BY DANA LEVINE
                                    IMAGES ARE COPYRIGHT PROTECTED

There are six of the incredible "Dames" this year as Shandell Gamer recently moved to Oregon, and will not be participating in the show.  Although the Dames "miss her much", they still carry on with this year's fantastic exhibition, "There Ain't Nothing Like a Dame, VI". The show runs from August 24 - September 5, 2011 in Gallery 21 at Spanish Village Art Center, located in beautiful Balboa Park at 1770 Village Place, San Diego, California. The Dames will be there to greet guests from 11:00 a.m. - 4:00 p.m. daily. The Opening Reception is on Saturday, August 27, 2011 from 1:00 p.m. - 3:00 p.m.

"SUN BLESSED", EN CAUSTIC BY WILMA LOPEZ
IMAGES ARE COPYRIGHT PROTECTED

This group of artists has been displaying together for 6 years, and you can rest assured that they will be going strong for many years to come. Speaking of strong, the six "Dames" boast of their individual strengths (in the Arts) with a logo image of a bandanna'ed beauty flexing her (well-muscled) right arm, while wielding a paintbrush and sporting the motto of "Yes, We Can"! Don't Mess with these Dames. They are "On the Job"...and then some.

"TANGO 4 2", FUSED GLASS BY MARCY STINTON
IMAGES ARE COPYRIGHT PROTECTED

The six Dames are as follows:

Karen Howard, Pastels, Dana Levine, Photography and Pastel, Wilma J. Lopez, En Caustic
Eileen Mandell, Photography, Caroline Morse, Oil, Acrylic, Photography and Marcy Stinton, Fused Glass

That's what is known as a "Line Up and a Half", folks. So, do get yourselves and your "Best Gal" (pal) in to see these six magnificent Dames, and "There Ain't Nothing Like a Dame, VI". I promise, you won't be disappointed! They really are "Something Else"!

"MUSEUM OF MAN FROM ALCAZAR GARDENS" BY EILEEN MANDELL
IMAGES ARE COPYRIGHT PROTECTED

Don't just take my word for it. Drop into Gallery 21 in Spanish Village Art Center, and see for yourselves. The Magnificent Six (Dames) will be waiting for you! Sharing their art is something they love. Who knows, maybe some of that "Dame-ness" will rub off on you.

"BATIQUITOS LAGOON", OILS BY CAROLINE MORSE
IMAGES ARE COPYRIGHT PROTECTED

For further information on all of the artists (Dames) in this exhibition, please go to my blog, "There's Nothing Like a Dame, V", written on 9/22/10 for their bios. Impressive? You bet! Haven't you heard? There Ain't Nothing Like a Dame!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

SVAC New Member Show at Gallery 21

2011-07-17T09:02:00.000-07:00

RIPPICANAN HANDBAG BY CAMERON MAINE, DESIGNER
IMAGE COPYRIGHT OF LISA ORNSBY

Hello All,

Breaking News at Gallery 21! Spanish Village Art Center is proud to announce the gala showing of our newest members' artwork in their juried media, now at Gallery 21. The exhibit runs from July 13 - 25, 2011, and is open daily from 11:00 a.m. to 4:00 p.m. We are located in scenic Balboa Park at 1770 Village Place, situated between the Natural History Museum and the San Diego Zoo.

The exhibit boasts a variety of media brilliantly executed by our new members who juried into Spanish Village Art Center in March of this year. The media range from textiles to ceramics to photography, and are some of the best that Spanish Village has to offer. I am equally proud to announce that one of our inductees is my very own (and newest) studio partner, Cameron Maine.

RIPPICANAN TOTE BY CAMERON MAINE, DESIGNER
IMAGE COPYRIGHT OF CAMERON MAINE, 2011

Cameron creates exquisite handbags from recycled and reclaimed fabrics and leather, all embellished with unique and highly designed closures and handles. A Fine Art major and a well versed merchandiser in the textile and upholstery fields, Cameron Maine brings her full experience to the creation of each handbag, tote or clutch. Each art-to-wear piece is one of a kind and cannot be duplicated; designed for women with discerning taste and classic style. That's OOAK to you folks! Cameron's pieces can be seen in Studio 32, seven days a week from 11:00 a.m. to 4:00 p.m. I've got my eye on a particular cut velvet and yellow pigskin tote that I have been pining after ever since she brought it to the studio. (Hey! Hands off Ladies...it's MINE! This little piggy did not cry, "Wee, wee, wee" all the way home.) Cameron's RIPPICANAN bags can also be admired on Facebook. Cameron invites you all to sign in ("Like" her) and, let her know what you think of her latest creations.

RIPPICANAN BROCADE TOTE BY CAMERON MAINE, DESIGNER
IMAGE COPYRIGHT OF CAMERON MAINE, 2011

Hold that thought...RIPPICANAN and you. I'm just stepping out for that short writer's break, and my morning cup of Joe (while watching a rerun of the Bourne Ultimatum...one of my alltime favorites).

Hmmm. RIPPICANAN, Bourne and a cup of Joe...Can't think of a better way to start the morning. Be right back.

A "PREVIEW OF PIERRE"

RAKU AND HIGH FIRED CERAMICS

IMAGES ARE COPYRIGHT PROTECTED

Written and posted by Cassandra Shepard, Studio 32
Text and content, copyrighted 2011, all rights reserved

Art in Bloom and Our Annual Open House!

2011-07-01T13:25:00.000-07:00

Hello All,

It's that time of year, again. Our Annual Open House Celebration is much anticipated each year. It is Spanish Village Artists' way of saying "Thanks" to our many patrons and visitors each year. Spanish Village Art Center is located at 1770 Village Place, San Diego, California. The event will take place on Saturday, July 23, 2011 from 10:00 a.m. to 7:00 p.m.

For the first time, in collaboration with the San Diego Floral Association and the San Diego Botanical Garden Foundation, Spanish Village Art Center is hosting a spectacular new event, "Art in Bloom", a magnificent display of floral horticulture blended with paintings done "live" on our courtyard patio by our plein air artists.

The artists, located throughout the courtyard, will demonstrate their individual media and their art using an array of live floral arrangements provided by the Floral Guild as their subject matter. Demonstrations will begin at 10:00 a.m. At 2:00 p.m., the People's Choice voting for favorite artwork/floral arrangement will begin. Something you won't want to miss! Cash awards will be presented at 4:00 p.m.

We are honored to have several garden groups from the Botanical Foundation present to talk about their representative plants, and give information about their events throughout the calendar year.

Steven Maddy from Studio 41 in his "Garden of Paper Flowers"
getting ready for Art in Bloom
(Tiny bubbles have got nothing on these Paper florals!)

As always, we are happy to announce that entertainment will be provided by Tin Man's Heart. Their smooth vocals and acoustics will waft throughout the patio adding to the ambiance, where visitors can meander enjoying refreshments and the everfamous Spanish Village Silent Auction. Wonderful artwork will be donated by the Spanish Village artists for the auctions, as usual. This year, we will sponsor "three" different auctions, ending at 3:00 p.m., 4:30 p.m. and 6:00 p.m. It will be a great time to collect art from your favorite artists, and to visit them in their studios or on the patio.

An open invitation is extended to all guests to stroll through our historic studios, and enjoy a day of art, floral arrangements and fun! Please drop by and enjoy this annual event of appreciation and welcome from all of us here at Spanish Village Art Center. We throw this party just for you each year, and the best part is that it is free! (Well, maybe not the best part)...The food, entertainment and, most of all, the ART make this a must attend happening of the year!

So, come on down. Take in the beauty of floral horticulture, imbibe, ingest and take something BEAUTIFUL home from the artists of Spanish Village Art Center. I guess that suffices to say, "EAT, DRINK AND MAKE (FLORAL-LY) MERRY! See you there.

Lovely Paper Horticulture on dispaly for Art in Bloom
courtesy of Meisha and Steven Maddy
in studio 41

For more information, contact event director, Susan Ludwig in studio 34A, at:
(760) 436-0453, or at susludwig@gmail.com

Written and posted by Cassandra Shepard, Studio 32
Text and content copyrighted, 2011, all rights reserved

Wine, Cheese & Chocolate Festival...Umm-mm!

2011-06-07T09:50:00.000-07:00

Hello All,

It's that time of year again. The Women's Museum of California is throwing its 4th Annual Wine, Cheese and Chocolate Festival at Spanish Village Art Center!!! (Quick. What's your favorite? Oh heck, why choose when you can have them ALL?) Well, ladies, I say, "Throw Down", 'cause we are ready! This event is always a delightful experience, and Spanish Village Art Center is proud to host the museum's fete on our colorful patio each year. Yay! Let's hear it for Women, Wine, Cheese and CHOCOLATE! Oops! I guess I just let slip which is my favorite (the wine and cheese are tied for second).

Taking place on Friday, June 17, 2011, from 6:30 to 9:30 p.m. in beautiful Balboa Park, the well attended bacchanal is sold out early each year! There will be wine, cheese and chocolate tastings for the guests, and our artists and studios will be open for participants to browse, and explore the many diverse arts of Spanish Village. There will also be live music on the patio for "Dancing under the Stars". Sounds just dreamy, doesn't it?

After the wine, cheese and chocolate mixed with mellow music and dancing, we may all have to be carted out of here in wheelbarrows! I promise you it will be a night of culinary decadence and delight ( in a very good way, that is). The "visions of sugarplums" hasn't got a thing on this event. (I'm envisioning dark, dark chocolate with a merlot or shiraz...sigh...polished off with a tangy pungent goat cheese...oh my!) See you all there! Come loaded for...CHOCOLATE!

For more information and to reserve your place, contact the Women's Museum of California at (619) 233-7963 or log on to their website at: http://womensmuseumca.org.

Spanish Village Art Center is located at 1770 Village Place, San Diego, California between the Natural History Museum and the San Diego Zoo.

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

Catnip Connection 5 - "Meow"!

2011-06-03T08:59:00.000-07:00

"In Your Face" by artist, ALLY BENBROOK
IMAGES ARE COPYRIGHT PROTECTED

Hello All!

All of you, "Cat Lovers" out there, that is. It's coming again, the much anticipated annual "Catnip Connection 5". Coming soon to Gallery 21 is the always winsome and entertaining exhibit of (you got it) "Cats, cats and more...Cats"! Did anyone say, "CATS"? Hurray! The Fifth Annual juried exhibition is scheduled to run from June 15 - 27, 2011 at Gallery 21 in Spanish Village Art Center. We are located at 1770 Village Place in Balboa Park.

The all media exhibition is set to honor animals of the FELINE persuasion, which includes domestic and wild species alike. As always, the participants will donate a portion of the proceeds from the show to the Feral Cat Coalition. The coalition is an organization offering spay and neuter clinics for stray cats in San Diego County.

This year's exhibition is sure to be a marvelous display of the Ferocious, Fastidious, Fantastic and Free-wheeling life of the Feline! So, mark your calendars. The reception for artists will be held on Sunday, June 19, 2011 from 4:30 - 7:00 p.m. Awards will be presented at 5:30 p.m., so you don't want to miss it.

For more information, contact Vicki DeLong at (619) 850-6637, or email at: vbde@cox.net.

See you there. "C'est les chattes...and that's, that!" Prrrrrrrr...

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

Doorways to Art in Spanish Village

2011-05-11T08:32:00.000-07:00

"Sunflowers and Chicadees" by watercolorist, LUCY WANG
IMAGES ARE COPYRIGHT PROTECTED

Hello All,

It has been awhile since my last post. I took a little hiatus to manage life's little "happenings", and mulled over the subject for my next blog. Periodically, I will feature articles on the events in Spanish Village Art Center in my news flash
column, "Around the Village". As you will remember, we are located at 1770 Village Place, San Diego California in beautiful Balboa Park. The 37 studios are open daily, featuring some 100 plus artists and fine crafts persons.

Last blog, I featured the Woodcarvers Guild in Studio 38. I would like to dedicate this blog to the Spanish Village artists, themselves. In fact, this will be a feature that I will run, periodically, introducing one of our finest artists and crafts persons each time.

Among our many advertisements, here in the Village, there has been a postcard favorite entitled, "Doorways to Art". Indeed, our colorful doors have been a particular draw and of continued interest to visitors in Balboa Park for years. Now, let me enhance that fondness and interest by, individually, introducing you to our artists "beyond the doorways"...through the "Doorways to Art" in Spanish Village Art Center.

My first feature will be on watercolorist and calligrapher, Lucy Wang in Studio 4. Lucy's 3-Dimensional Watercolors on Silk are a legend unto themselves, and her original technique is unmatched by any other that I have seen. Her subject matter is whimsical, lyrical, folkloric. Each painting telling a story. Her silk stretching technique is her own creation, giving the spectator a layered vision of finely painted folklore and nature's bounty.

"Flute Player", by LUCY WANG
IMAGES ARE COPYRIGHTED

The beauty of her painting reflects her love of nature and demonstrates her exquisite mastery of the brush. Lucy has uniquely blended her Chinese painting background with the influence of Western painting techniques to develop an innovative style of watercolor painting on silk in a 3-D layout. This technique that she created was so unique and groundbreaking that it was featured nationwide on the "Lynette Jennings Design" show on Discovery Channel, and "Our Place" on Home Garden TV. (Uhh, excuse me folks, but, "How about those Props"?) I'd call Lucy Wang..."Fierce"!

Studying with master artists in Taiwan, Lucy graduated from the National Taiwan College of Arts. She has taught for more than 20 years at her studio in Spanish Village Art Center, as well as at the University of California San Diego Crafts Center. Teaching workshops throughout the United States, she has also written four books on Chinese brush painting, and co-authored a fifth on drawing and watercolor techniques. She, also, has several informative animation and teaching videos currently posted on youtube.com.

Lucy sponsors a student show each year at Gallery 21, here in Spanish Village, featuring the calligraphy and Chinese brush paintings of her students. In her "spare" time, Lucy exhibits annually at the Laguna Beach "Art-A-Fair" during the summer. Her artwork has, understandably, been selected by National Audubon Society, National Geographic Society, Smithsonian and UNICEF for holiday gift cards. (Can I say, one more time..."Props", people)!!! And, guess what, folks? We are just "bursting at the seams" with pride to boast that Lucy is an integral and valued member of Spanish Village Art Center!!!

Well, that's Lucy Wang, in a nutshell (Ouch! Poor nutshell...it's so crowded in there). Lucy is an amazingly accomplished artist, and a delightful person. Her demure persona and welcome smile will greet you as you enter her blue and lavender door. Positioned just outside the studio, colorful umbrellas give shade to visitors and her myriad selection of giclee prints and cards. A visit to Studio 4 (to meet Lucy) is a journey into the mystical folkloric realm of the Orient. And, remember...Lucy's quiet and easy aura is waiting there to bid you welcome to her world.

Hold that thought. Imagine a cornflower blue and lavender door through which the visitor can see beautiful maidens dressed in flowing silks, cranes dancing in wintry wonderlands, beautifully rendered Chinese brush paintings of any and all subject matter, and you will just begin to visualize the mastery... mystery of Lucy Wang's art.

Not unlike, "Snow Falling on Cedars".

"Dancing Cranes" by watercolorist, LUCY WANG
IMAGES ARE COPYRIGHT PROTECTED

You may find additional information on Lucy Wang and her 3-Dimensional Watercolors on Silk at her website: http://www.lucywang.com/

Enjoy Lucy's animation videos at:

http://www.youtube.com/watch?v=tI4vPNsBzcU
http://www.youtube.com/watch?v=AVqeycDKjDo&feature=mfuinorder&list=UL
http://www.youtube.com/watch?v=FnHe5TLFAUU&feature=mfuinorder&list=UL
http://www.youtube.com/watch?v=gI0kNyFaonw&feature=mfuinorder&list=UL

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

Around the Village: "Woodcarvers Demo"

2011-04-22T09:21:00.000-07:00

IMAGES ARE COPYRIGHT PROTECTED

Hello All,

Here's a "heads up" from Studio 38, the Woodcarvers Guild in Spanish Village Art Center, located at 1770 Village Place, San Diego, California. On Saturday, April 23, 2011, the guild members will give demonstrations of lathe, scrollsaw and the art of woodburning on the patio. The demonstrations will be done close to Studio 38, and all visitors to Balboa Park are invited to come and watch. Our woodcarvers are some of the best in the county, and enjoy their craft as much as showing it off to the public.

So, all of you wood lovers out there, come on down and join the fun! The carvers will keep a "lathe turning" just for you. Who knows...maybe you will enjoy it so much that you will want to join the Woodcarvers Guild, and start turning yourselves. Amazing things happen all the time.

Remember, "...to every season, turn, turn, turn". See all you enthusiasts there!

IMAGES ARE COPYRIGHT PROTECTED

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

Jihmye Collins ... The Man Behind the Smile

2011-04-21T00:08:00.000-07:00

Jihmye Collins (1939 - 2011)
Photograph, copyright 2011 of Mithaq Kazimi

Hello Everyone,

I dedicate this blog to commemorate Jihmye Collins, Artist, Activist, Poet and Friend. A tribute to the "man behind the smile"... To an "Athlete Dying Young". Please join Spanish Village Art Center in honoring and commemorating Jihmye on April 5, 2011 at Gallery 21 from 2:00 - 7:00 p.m. The gallery is located in the heart of Spanish Village Art Center at 1770 Village Place, San Diego, California 92101.

We are hosting a potluck dinner, poetry reading and viewing of Jihmye's artwork in remembrance and love. We hope you will bring your fondest memory of Jihmye, and join us in the celebration of the "Life of Jihmye Collins", a man who walked tall among us.

I dedicate this poem by A. E. Housman to Jihmye Collins, because he was an athlete, in his own right, for justice and peace through his art and his Ba'Haai faith. To me, he was a friend and fellow artist, as he was to many of us here at Spanish Village Art Center. But to those of us who really knew him, and knew him well, he was an athlete and champion for the togetherness of mankind, and a vigilant crusader against injustice for all. He reached into the community, and tried to pass on his love and respect for the human race through his work with youths and the underprivileged. Artist, Activist, Poet and Friend, all encompassed within that undeniable presence and radiant smile.

"To an Athlete Dying Young", by A. E. Housman (1859-1936)

"The time you won your town the race,
We chaired you through the market-place.
Man and boy stood cheering by,
And home we brought you shoulder high...
Smart lad, to slip betimes away
From fields where Glory does not stay.
And early though the laurel grows,
It withers quicker than the rose...
Now you will not swell the rout,
Of lads who wore their honours out.
Runners whom renown outran
And the name died before the man...
And round that early-laurelled head
Will flock to gaze the strengthless dead,
And find unwithered on its curls
The garland briefer than a girl's".

"We will all love and miss you Jihmye, but, our lives are better for your being."

P.S.
Jihmye, I know you loved "all things Africa", and delighted in reconnecting with your heritage and the Motherland. So, this poem is just for you, from me:

From "Out of Africa" by Isaak Dinesen, (1885 - 1962)

"If I know a song of Africa, of the giraffe and the African new moon lying on her back, of the plows in the fields and the sweaty faces of the coffee pickers, does Africa know a song of me? Will the air over the plain quiver with a color that I have had on, or the children invent a game in which my name is, or the full moon throw a shadow over the gravel of the drive that was like me, or will the eagles of the Ngong Hills look out for me?"

Jihmye,
I believe the answer is, "Yes, and the color will be purple."
Thank you, Cassandra

Photograph courtesy of Alane Gray, copyright 2011

Who is Jihmye Collins?
Watch video compliments of Community Faces Project: Jihmye Collins (c) MACSD
http://www.youtube.com/watch?v=qac0YuArJBA

"In Loving Memory...", from all of us at Spanish Village Art Center

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

Who Me? Yes, Yumi...Darling Yumi!

2011-03-18T20:39:00.000-07:00

Yumi as "The Painter"
in "Every Painting Tells a Story",
a comedic musical drama based on Romeo and Juliet
at Ciao Bella Caffe Bar e Ristorante

Hello All,

I can hardly believe it. How time flies. Once again, Yumi Climenson brings her vision and unique persona to Gallery 21 for her annual show. The exhibit runs from 3/9/11 - 3/21/11, and is open to the public daily from 11:00 a.m. to 400 p.m. Gallery 21 is located at the center of Spanish Village Art Center in historical Balboa Park. This year Yumi entitled her exhibition, "Beyond the Light", and dedicates it to, "My Parents and Kazuko, for their Love and Wisdom".

As I walked through the exhibit with Yumi, she shared with me the essence of two paintings which she says, essentially, embody the theme of the show. The first and primary painting, entitled "Beyond the Light", shows a clear brightly lit day where seagulls walk on a beach, and gaze quizzically at two Japanese characters, seemingly, inscribed in the sand. In the background, a pristine jewel-toned wave, lit from beyond, breaks gently on the shore. The characters are alluring and, on second glance, have the appearance of remnants of sea drift objects, sticks awash on the beach. When I asked Yumi what the characters meant, she said, "They say, Peace, Harmony and Love" for her mother's name, which means child of peace, harmony and love. This painting, Yumi says, "represents the natural light that is in us all".

"Beyond the Light" by artist, YUMI
IMAGES ARE COPYRIGHT PROTECTED

The second painting central to the theme of light, is that of "Seine - Paris", showing Yumi's favorite bridge over the river Seine. This piece depicts the bridge bathed in blue and yellow light from an ornate lantern attached to a time worn lamp post, where three children prance like cherubim. Yumi recognizes that, "The light represented in this painting is artificial, but also important for lighting our way. For this we must be thankful". Yumi, also, chooses this painting because she loves children, and predicts that children are our hope for the future. She, therefore, embraces them for they alone will determine our survival. An inscription underneath the painting reads, "The city lights casting over the Alexander 3 bridge in Paris. This is the 2nd painting of the "Beyond the Light" theme. The statues of children represent our future. Peace on Earth!

And, so you have it, Yumi's vision. The light of nature and the artificial light created by man to simulate. In Yumi's vision, we are seekers. "We seek the Light, we move Toward the Light, and once Beyond the Light, we become the Light. We are the Light". The choice now is what we do with the Light once we achieve it. It is every individual's personal choice...our individual journeys to become the Light. "It is what we do with it that matters". I believe this is what Yumi envisions, what she imbues into each canvas that she touches. The Light that radiates from the vision within her, and pours out onto her brush.

Witness to this are her many paintings that coat the eye and shower the mind with blinding colors of light, as seen in "Dusk in Paris", a shimmering flood of pure golden light at sunset, along a riverbank walkway. A colorful couple walks along the left bank of the river, where the entire city scene is bathed in gold so brilliant, that it bounces off every molecule of architecture, water and space. Seen up close or viewed far across the room, the golden light in this painting mesmerizes and enraptures.

Likewise, "Adieu and Hello", a painted tale of enchantment and mummery as seen at the Grand Circus, is filled with fantasy, fiction and grand performances cascaded with warm citron light shining down upon the players in the center ring. Of this piece, Yumi says, "Life is like a Grand Circus filled with laughter, suspense, running and stumbling. But Light is always there for us to find".

"Adieu and Hello", by artist, YUMI
IMAGES ARE COPYRIGHT PROTECTED

Her animal portraits convey the same joy of Light with their spontaneity and humour. Particularly enduring to me was one small painting named "Peek-a-Boo"! It is a miniature painting of a fluffy puppy who has shoved his head through a small partition, but didn't quite fit the opening. He is obviously elated with this game, and does not appear to notice or care that his ears are pinned back on the other side of the opening. Absolutely charming, purely comedic and so full of the Light of baby things.

This pouring out and capturing of Light transcended into an unusual venture for Yumi, who recently participated in a comedic musical drama presented by Ciao Bella Ristorante in La Mesa. The play entitled, "Every Painting Tells a Story", was based on the tale of Romeo and Juliet and centered around a monk named Friar Lawrence. In the play, Yumi is the Painter, who paints a portrait of Romeo from the beginning of the story to the final scene, where it is presented. She expected to paint for five performances, thus producing five portraits of Romeo. What she did not expect was the "acting part". The Light of her brush swiftly became the Light and birth of her thespian abilities, and she got quite the workout during the performances. Everyone loved it, and Yumi soon found herself, and her Light, stretched to two additional performances. Seven in all. Seven performances, seven Romeos. It was a priceless experience, in which the portrait of herself became another projection of Light that she had not expected. Happily exhausted, Yumi eagerly returned to the Light that she knows. Her brushes and oils. And, the Light poured forth once more.

Please join Yumi in this celebration of Light, Peace, Harmony and Love. A visit to her exhibition is always an enlightening experience, and a confirmation of Yumi's wish for a better world. A world where we walk in the Light. Most importantly, she believes in the vision. I have to admit, when I am in her presence and long after, I can see no better vision than Peace, Harmony and Love on Earth. Yumi invites us all to travel "Beyond the Light" and guarantee a peaceful future through our children.

"Seine - Paris", by artist, YUMI
IMAGES ARE COPYRIGHT PROTECTED

Yumi Climenson lives in La Mesa, California where she paints as an artist dedicated to her vision. She may be contacted through her website at: www.yumi-art.com. For lectures, demos and workshops contact Yumi at (619) 697-0465, or by email at:
yumi-art@juno.com.

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

Jon Evans, Jack of All Trades...Master of Many

2011-02-27T00:01:00.000-08:00

Jon Evans in Studio 39 with his Digital Kaleisdoscope Art

Hello All,

I am visualizing a new concept for the Spanish Village Art Center blog in the months to come. I want to feature more articles on the artists and events of the Village as they happen. Around and about Spanish Village Art Center has been a vision of mine, since I began blogging on June 17, 2010. In fact, that is why I was asked to write the blog in the first place.

If you have been keeping up with the blog, you will remember that I did a feature article on Kathi Ruiz and her "Irish Rose" hand spun yarns, on September 10, 2010. The first feature of many connecting the artists of Spanish Village Art Center with the admiring public.

This blog is dedicated to an extremely talented and versatile artist named Jon Evans. As inferred in the title, I truly see Jon as a "Jack of all Trades", and a true "Master of Many" arts. Jon is a detailist (is that a word?) and a perfectionist (that is a very appropriate word) to the max. If you knew Jon, you would know exactly what I mean. In the following paragraphs, I hope to give you an impression of Jon Evans as I see him, a master of "Old World craftsmanship" and an enigma unto himself. His work and dedication to detail are certainly reminiscent of the craftsmen who originally inhabited Spanish Village during the 2nd California Pacific International Exposition in 1935.

Jon's genius and his person are housed in Studio 39, where he carries on the tradition of that memorable exposition. You may watch him work at least two days a week, either in front of the studio under the bougainvillea, or inside when his work requires dust and environment free finishing.

"Finishing". That's a good place to start. The magnificence of the finishes Jon gives to his woodwork is astonishing and breathtaking. One's hand involuntarily gravitates toward the warm glow of wood and colored laminates that he incorporates into the palm pods he finds in the park. These large pods are something that you may see any day lying about on the ground after a strong wind. But, what Jon Evans does with them is nothing short of "Magic"!

Keep your imagination tuned to "warm wooden glows and laminated palm pods". Back with more on the enigma of Jon Evans, and Old World craftsmanship in a bit. Stay tuned!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

Allied Artists Association Arrives at Gallery 21

2011-02-26T22:53:00.000-08:00

"Hidden World", watercolor by MARK SMITH
IMAGES ARE COPYRIGHT PROTECTED

Hello All,

It's a new year and an all new roster at Gallery 21 in Spanish Village Art Center, located at 1770 Village Place in Balboa Park. Gallery 21 is proud to present the Allied Artists Association of San Diego, in their 2011 All Members' Show. Exhibit runs 2/23/11 - 3/7/11, and is open daily from 11:00 a.m. to 4:00 p.m. The opening reception is Sunday, 2/27/11 from 4:30 - 6:30 p.m.

The current exhibit features 32 fabulous artists who work in media including photography (traditional and digital), oil, acrylic, watercolor, pencil, pastel, silk painting, encaustic, printmaking, ceramic and mixed media. That's quite a playbill, don't you think? I visited the gallery today, and was amazed at the variety of style and expertise in the artists' renderings.

Awards are for Outstanding Art in the following categories:

1st Place - $100, 2nd Place - $75 and 3rd Place - $50
Honorable Mention Certificates will also be awarded.

I will attend the opening reception on Sunday, and fill you in on the award recipients. I've got my favorites, but I will wait to see what the juror and the People's Choice selections are.

Back tomorrow with the results. "Anticipation...anticipation", I know!

Monday, 2/28/11 1:20 p.m.

Well, the reception was a great success with a marvelous turnout by patrons and artists alike. The quality of art in this show certainly commands attendance. Now for news of the awards for the show. This year's recipients are:

1st Place Winner - Joan Everds for "Lily", photograph
2nd Place Winner - Jackie Myers for "Midnight Strikes", acrylic
3rd Place Winner - Alicia Tirado for "Turquoise Waters", colored pencil

Honorable Mention - Vicky DeLong for "Flock", ceramic vase
Honorable Mention - Edwin H. Wordell for "Symbolic", mixed media collage

The People's Choice award will be awarded at the end of the show when all votes are tallied. I, easily, cast my vote, and I'm keeping my fingers crossed while sending out good "vibes" to my favorite. (You know who you are...) Ask me no secrets...

"St. Mary River", monotype by JULIANNE RICKSECKER
IMAGES ARE COPYRIGHT PROTECTED

The Allied Artists Association of San Diego shows its work once a year at the Riford Center in La Jolla, California, and their artwork is permanently on display in a window gallery setting in the Emerald Building in downtown San Diego.

With a motto of "Many Artists. One Passion", the Allied Artists Association of San Diego is a multi-talented group of artists that represents a broad spectrum of art media and photographic arts. They may be contacted individually or through their website at: www.aaasd.us. P.O. Box 181325, Coronado, California 92178. For further info, contact Vicky DeLong at: 619) 850-6637.

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

36th Annual Small Image Show at Gallery 21

2011-02-03T08:10:00.001-08:00

The 36th Annual Small Image Show is off and running, from January 28 through February 21, 2011, and what a show! Open daily from 11:00 a.m. to 4:00 p.m., the participants welcome visitors to Gallery 21 in Spanish Village Art Center. The opening reception was held on Saturday, January 29, 2011, and was a grand success. Attendance was high with an excitement in the air shared by newcomers and art aficionados alike. The gallery and outside patio fairly overflowed. As I arrived, I noticed the chill night atmosphere did nothing to dampen the spirit of the show. On the contrary, the enthusiasm of the spectators was amped, all soulfully accompanied by the smooth jazz sounds of "Endangered Speciez", as they set the ambiance of this year's opening reception.

Rob Sidner, this year's juror, had this to say about the exhibition:

"It was a pleasure to view a significant group of art works in a wide range of media created in small format. In making difficult choices in jurying the entries, my approach was entirelly subjective. I chose for exhibition works that to my eye seemed particularly fresh, imaginative, well made, demonstrating a good use of material, engaging and sometimes offbeat".

                                            "Trio", by Sue Bakely, ceramic artist
                                            1st Place Winner, Category 1 (12-inch)
                                            IMAGES ARE COPYRIGHT PROTECTED

The 36th Annual Small Image Show Awards went to the following recipients:

Category 1 - (12-inch)
1st Place - Sue Bakely, "Trio", mixed media/porcelain
2nd Place - Marti Blair, "Untitled", glass, copper, dry enamel
3rd Place - Lynn Render, "Carved vase", clay

Leslie von Kolb Memorial Award - Walter Wojtyla, "Inner Circle", acrylic

Category 2 - (6-inch)
1st Place - Vicki Leon, "Two Pieces of View", glass
2nd Place - Margaret Gordon-Espe, "Telepouch", ink on leather
3rd Place - Dan Adams, "Eclipse", acrylic

                                    "Two Pieces of View", by Vicki Leon, glass artist
                                           1st Place Winner, Category 2 (6-inch)
                                          IMAGES ARE COPYRIGHT PROTECTED

Purchase awards went to Steve Maddy, Beverly Brock, Kathy Long, Chris Stell and Joan Boyer. Gift certificates were awarded to Amy Threefoot Valeiras, Victoria Ward, Diane Johnson, Susan Ronan, Joan Niles, Alison Baldwin and Ally Benbrook.

A big thank you to our sponsors from Gallery 21. Sponsors are Valley Moulding, CMI Moulding, Freeform Clay, Artists and Craftsman Supply and Spanish Village Art Center.

Last, but not least. Once again, please let me extend a big "shoutout" and "merci beaucoup" to our new Gallery 21 director, Frank Casciani and to all who assisted him in making this year's exhibition a gala experience.

As in all things, Frank... "Perfection, maestro, Perfection".

Event photographs taken by Rose Stepan, www.iwastherephoto.com
Images are copyright protected, all rights reserved

For more information on Gallery 21, visit the website at: www.gallery21art.com.

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

Coming Soon! 36th Annual Small Image Show

2011-02-02T08:33:00.000-08:00

Hello All!

Hold your Horses! Hold the Bus! It's our 36th Annual Small Image Show in Gallery 21! The show runs January 28 to February 21, 2011, and is open daily from 11:00 a.m. to 4:00 p.m. Opening reception is on Saturday, January 29, 2011. Just wanted to get this "Heads Up" in before running to the studio.

DON'T GO AWAY! MORE TO COME! This year's show is going to be better than ever, with our new committee and new head of Gallery 21, Frank Casciani. If you know Frank (even if you don't know Frank!), what you will find is an attention to detail that makes a polished floor SQUEAK! Ever the perfectionist, Frank Casciani brings his expertise and past experience in the art profession to this much anticipated and loved art exhibition, as well as to the complete renovation of Gallery 21. A new website, a new look...a whole new image for Gallery 21! Have I got your attention?
"Just you wait, 'enry 'iggins...just you wait"! Is that you, Frank?

Okay, I'm back. "Live from Spanish Village Art Center...it's Gallery 21 and the 36th Annual Small Image Show" ! So, here we are in beautiful Balboa Park. It's an unseasonably warm and breezy day. 74 degrees in January and the feeling is fine. I'm at the studio now, and enjoying writing outside on the patio. The guitar and harp minstrels are performing "Bobby McGee" underneath the jacaranda tree just outside the Southwestern Artists Association, and I am waxing poetic. Whoa! Rein it in, girl. This blog is dedicated to the Small Image Show, remember? (Oh well, just setting the mood, don't you know).

Here's a quick rundown of the show: Purpose - To provide a unique challenge for the artist by utilizing a small image concept in the widest range of visual expression.

Eligibility - Competition is open to all artists. All work must be original and completed within the last year. Work done under supervision of an instructor or work requiring special installation or handling will not be accepted.

Honored Juror

Gallery 21 is honored to have Rob Sidner, in his 18th year at the Mingei International Museum and 6th year as director, as the juror for the 36th Annual Small Image Show. His credits are extensive, including an earlier lengthy career as a Roman Catholic priest, and a short-lived one as an art gallery owner here in San Diego. He completed a Bachelor's degree in Sacred Theology while living in Rome, and during his four year stay, spent much of his time soaking up the art and culture of Italy.

For more information and a full review of the new and marvelous Gallery 21 face lift, please visit www.gallery21art.com. I am positive you will be astounded and pleased with our new image. Once again, Frank, "Perfection, maestro...Perfection"!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2011, all rights reserved

There is a Reason... Turn, Turn, Turn

2010-12-24T09:53:00.000-08:00

IMAGES ARE COPYRIGHT PROTECTED

Hello All,

To every season (turn, turn,turn) there is a reason (turn, turn turn)! Or should I say, "Through every season (turn, turn, turn), they have a reason (turn, turn, turn)". The San Diego County Carvers Guild members certainly embody this sentiment season after season, and year after year. They are currently "turning" through their 13th Annual Wood Turners Show at Gallery 21 in Spanish Village Art Center located at 1770 Village Place, San Diego, California. The show runs 12/8/10 - 1/3/11. The Wood Carvers Guild members are on site from 11:00 a.m. - 4:00 p.m. daily to greet visitors, and to demonstrate their latheing skills at entrance of the gallery.

When entering the gallery, my eye was met by an amazing array of wood vases, bowls, standing sculpture, wall pieces and hand carved toys. Every type and color of wood imaginable was on display, at least to my knowledge. I am sure the San Diego County Carvers Guild members would debate this point with me, saying that there are untold numbers and combinations of glowing and earthy woods to choose from when it comes to wood turning. In view of that logic, I probably would agree with them. Certainly, Mother Nature's bounty seems, at times, "limitless".

IMAGES ARE COPYRIGHT PROTECTED

This group of artisans, although extremely talented, have a modesty and well grounded approach to their craft. Enthusiastically, but quietly, going about their work, they are informative and skilled at the lathe and with carving tools of the trade. At any time, one may ask them questions about the variety and properties of the various woods available for turning. Ever knowledgeable, each member that I spoke to, unhesitatingly, volunteered information and valuable instruction on the process of turning, and the many aspects of creating with wood.

IMAGES ARE COPYRIGHT PROTECTED

The members of the San Diego County Carver's Guild, and their personal biographies can be researched on their website. Each bio is a testament to their approach to their craft, and gives much insight into each artisans creativity, as well as the background that they bring to their art.

Perhaps this is a bit biased, but, I am particularly fond of Carol Martin's lovely hand carved doors. They are intricately carved and never cease to amaze me with their refined lines and compositional design. Her choice of fine woods is, in a word, "exceptional". Nan Bushley is another of my favorites, and is the President of the guild. When I asked Nan if there was any particular information she would like me to write about the guild and the show, she modestly said, "Well, it's our annual show. We have a website". A woman of few words, and real talent.

I think that sums it up for all of the participants of the show. There is no doubt that the members of the guild boast a wide variety of talent, and enjoy an extensive interest in the many facets of wood turning and woodcarving. Whether done by lathe or carved, chipped, sanded and polished by hand, the wood pieces produced by this group are wonderful. Add to their separate talents the beauty and glow of fine and exotic woods, and you have a winning combination. "What a winning hand"! A true compliment to nature, a great accomplishment for themselves and a fantastic gift to wood lovers. There's nothing better than that..."Wood-n't you say"?

IMAGES ARE COPYRIGHT PROTECTED

I would like to extend a special thanks to Scott van Hoften, for his assistance in producing photo images of the pieces in this year's show, and for his extra time and dedication in helping me complete this review. Muchas Gracias, Scott!

"To every season...Turn, turn, turn. There is a reason...Turn, Turn, turn".

IMAGES ARE COPYRIGHT PROTECTED

The San Diego County Carvers Guild is housed in Spanish Village in Studio 38, and we are especially proud of that fact. The members are there 7 days a week to greet visitors to Balboa Park and Spanish Village Art Center. You can expect a magnificent array and variety of hand carved and lathe turned art pieces when you visit. The collection is quite remarkable, as is each wood carver's approach to his craft.

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2010, all rights reserved

You Can Bet Your Bottom Bead!

2010-12-18T07:33:00.000-08:00

Hello All.

Yep, you can bet your bottom bead, your top bead and everything in the middle when it comes to the Bead Society of San Diego. The members of the society displayed their diverse and eclectic style and talents during their recent show at Gallery 21, located in Spanish Village Art Center, 1770 Village Place, San Diego, California. The show ran daily from 11:00 a.m. to 4:00 p.m. from 11/24 - 12/6/10. All visitors were invited to come and "Get their Bead On"!

There are "fetishes and passions" that are inexplicable when it comes to bead collectors and bead lovers. Purely addictive scanning, combing, comparing and, ultimately, unstoppable collecting of "all things bead". Having worked for 40 years with gemstone beads, Swarovski crystal and Czech glass beads as a jewelry designer, it was not difficult to channel the "Passion" that this organization and its members infused into their work. The array of beaded art on display ranged from wearable art to free standing sculptural concepts that were intriguing to behold. If ever, you wanted to submerge yourself in beads, crystal and blown glass, this was the show and the bead society for you.

This year's show, headed by Ellen Kroll, boasted many show stoppers. Members were well rewarded for hours of dedication and diligence to their creative endeavors. While I am on the subject of dedication and diligence, let me say that I admire, but don't envy, all bead artists who have the patience and "stick-to-it-iveness" to work with thread! "Gutta Percha", girls. However do you keep from screaming when that wicked thread, with a mind all its own, ties itself in knots? I mean, it does this miraculously frustrating thing while you are still holding onto the needle; and the other end of the thread is undeniably attached to the art piece. Eeeek! (Ask any beader). They know what I mean. Thread is definitely for the patient. (That's clearly an understatement, if ever there was one). I'm a wire man, myself (22 gauge sterling),
that is.

Hold that bead threaded needle right there, folks! Don't drop it, now. You might get tied in knots! I'll be right back. Out to the breakfast nook to grab a cup of Celestial Seasonings' Red Zinger. Just for safety, I've secured my needle in a pin cushion. No knots for me!

Through the Looking Glass at Gallery 21

2010-12-10T20:36:00.000-08:00

Alice's Consequences" by JACK WADE, Glass Artist
Uroboros 1st Place
IMAGES ARE COPYRIGHT PROTECTED

Hello All.

It is amazing how busy this time of year is. People find themselves racing to keep up with the everyday things, while participating in the holiday hustle and bustle. I am certainly no exception to the mad dash. My friend, Alane Gray (Lord High Mistress of Twitter and Facebook for Spanish Village's social connection), keeps asking me, "Where did you go"? My answer, "Oh, just the usual places this time of year".

But, I'll tell you, I did go to one place recently that was nowhere near "Usual"... anything but! That was my visit to Gallery 21 for the, "Through the Looking Glass" annual exhibition of the Art Glass Association of Southern California (AGASC). The association held its 29th Annual Show November 11- November 22, 2010 at Gallery 21 located at 1770 Village Place, San Diego, California. The art glass was on display daily from 11:00 a.m. to 4:00 p.m. where visitors were invited to come and marvel at the expert craftsmanship and originality of this amazing group of artists.

When you think about glass, it is a pretty amazing thing. I mean, what is it, really? Silica? Infused with color, mixed and blended with swirling canes, dichroic flashes, dots, bumps, and globs of other fusible ingredients or matter. Or, left crystal clear and pristine to reflect or refract all the prismatic light of the spectrum. Cut, crushed, slumped, encased, molded, folded, twirled or pulled molten and glowing from the "glory hole", this is a medium that commands respect and demands attention to detail and precision. Gosh, I'm feeling a warm flush just thinking about it. Just imagine the actual "rush" that these amazing people must get while going through the process.

"Jellies" by MARCI STINTON, Glass Artist
IMAGES ARE COPYRIGHT PROTECTED

As "Glory" as the glory hole may be, I think that this an art that I would much rather view from the spectator's seat rather than pick up the challenge. You've got to be pretty "gutsy" to stir that pot, if you ask me. But, gutsy and "glory" they are, these "masters of radiant, fiery matter pulled from an infernal vortex". Wow! Does that describe it or what? Dante's got nothing on them.

"2 Pieces of View" by VICKI LEON, Glass Artist
IMAGES ARE COPYRIGHT PROTECTED

The masters of "fire and light", as I like to call them, are a group of artists "interested in promoting and educating the public in all areas of art glass creation and endeavor". Founded in 1981, the small group of local artists has grown into an organization of more than 125 members that pride themselves in belonging to AGASC. It is a non-profit organization that is dedicated to promoting all the art fields from traditional stained glass to repair and refurbishing of antique stained glass pieces, glass blowing, glass fusing and lamp worked glass. The Art Glass Association of Southern California is proud to be recognized as one of the oldest active memberships in the United States.

All of the members of AGASC were invited to participate in the exhibition. The categories that they competed in read like a list of gauntlet running immense challenge to me. As mind blowing as the art glass created by the masters was, the designated categories for the awards were widely varied and extensive, which sent me scrambling for a thesaurus for clarification, not to mention pronunciation. The title categories for this year's art glass entries were as follows:

1) Uroboros Special Theme Category: for best representation of the title
2) Coatings by Sandberg, Inc. Category: for the best endeavor in dichroic glass
3) Cold: Stained Glass, Mosaic, Sandblasted or Etched
4) Kiln-formed: Fused or Cast
5) Hot: Blown or Pour Cast
6) Wearable: Anything that can be worn
7) Mixed Media: Must contain at least 51% glass and anything else
8) Masters: This category is reserved for those artists that have previously won 3 or more awards in a category or "Best of "Show".
9) People's Choice: This category is voted on by the public for their favorite piece.

To congratulate the members, ribbons were awarded in 1st, 2nd and 3rd Places.

The winners in each category were:

Hot: 1) Baby Bear Rescue by Carlson Potts, 2) Piano Sconce by John Gibbons,
3) Kaleidoscope Platter by Patricia Yockey

Cold: 1) Hexagon by John Gibbons, 2) I Love Circles! by Pam Horn,
3) Reflections of Funkytown by Gina Meyers

Masters: 1) Dreams of the Dead by Kathleen Mitchell, 2) Splash Bowl by Joel Bloomberg, 3) Too by Leslie Perlis

CBS: 1) Jellies by Marci Stinton, 2) 2 Pieces of View by Vicki Leon, 3) Swimming
with Turtles by Cathy Coverley

Mixed Media: 1) Spiritual Regeneration by Rick Knight, 2) Alice's Cubistic Bird Bath
by Patricia Yockey, 3) Green Faery Revelry by Laddan Hashemian

Wearable: 1) Surya Chakra by Vicki Leon and Mili Shah, 2) Radiant Vortex by Vicki Leon, 3) Amor/Amore Deux by Leslie Perlis

Kiln-formed: 1) String Theory by Jack Wade, 2) Why the Long Face? by Jack Wade, 3) She's Not the Right Alice by Marti Blair

Uroboros Special Category: 1) Alice's Consequence by Jack Wade, 2) Falling Daughter by Leslie Perlis, 3) Queen's Target Practice by JoAnn Pastori

People's Choice: Jellyfish Sculpture by Joel Bloomberg

"Jellyfish Sculpture" by JOEL BLOOMBERG, Glass Artist
IMAGES ARE COPYRIGHT PROTECTED

Holy Cow, I am "plumb wore out"! This is not an art for the lax and uninspired. Is anyone feeling a bit like Alice trying to keep up with the prolific creativity of this group? Thank you all, AGASC for taking us on a whirlwind trip "Through the Looking Glass" by way of the "glory hole", torch and kiln. And as for you, Alice, "...Honey child, you and the Art Glass Association of Southern California glass masters, ROCK"!

"Falling Daughter" by LESLIE PERLIS, Glass Artist
IMAGES ARE COPYRIGHT PROTECTED

Oh, the glory of the miracles brought forth from the Glory Hole! "It's gettin' hot in here..."

The Art Glass Association of Southern California (AGASC) is a working group of glass artists in San Diego County, founded in 1981, and can be contacted through Jon Simpson, the 2010 AGASC Show Chairperson. Additional information may be obtained on the group at http://ww.agasc.org/ or (619) 229-1243. Send e-mail correspondence to sdjon300@cox.net.

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2010, all rights reserved

Ding Dong, Ding Dong...Christmas Bells Are Ringing!

2010-12-02T08:35:00.000-08:00

Good Tidings We Bring to You and Your Kin!

It's here! The "Don't Miss Event of the Year" !!! Yep, you guessed it..."December Nights" is here once again, and the members of Spanish Village Art Center have "outdone" themselves getting ready for this annual celebration.

The big event takes place from Friday, December 3 - Saturday, December 4, 2010, from 10:00 a.m. to 10:00 p.m. in Spanish Village Art Center, and throughout Balboa Park. It is a veritable Santa's Wonderland with a magnificent tree lighting ceremony, gift booths, live performances, caroling and as much eating as a body can stand.

We, in Spanish Village Art Center will not be outdone in the decorating and entertainment departments this year. We have created an amazing North Pole Wonderland complete with colorful Christmas trees and a maze of gift wrapped boxes hanging from the trees and along the pathways of our colorfully painted tiles.

It reminds me of that old Christmas carol, "...and, presents on the tree". Let me tell you that there isn't a tree in the Village that isn't bursting with gift boxes, lollipops and candy canes(...visions of sugarplums) ! Not to mention the beautiful decorations in every studio, all encircled in White Light! Whoa! Let me step out of the path of the Stampede (...shoppers, that is) !

As I think about it now, this year's theme is reminiscent of my decorations last year, when I placed overstuffed gift bags and gaily wrapped boxes along the path to my studio, #32, softly lit by votive candles to guide guests along their way. Maybe, this is what they mean when they say, "Art imitates Life".

So, Come One ... Come All to our Merry Santa's Wonderland in Spanish Village Art Center, located at 1770 Village Place, Balboa Park in San Diego, California. There will be lots of joy, ART, eats, entertainment and a fantastic throne where the little ones can sit on Santa's knee to make those Christmas wishes come true. Perhaps, there will even be a sprig or two of mistletoe for the adults! (I saw Mommy kissing Santa Claus...) Shhh! Come browse through our 37 "magnificent" studios, mingle through the patio artists' booths and take something "unique and handmade" home to place under your tree. We invite you to make Spanish Village Art Center your "Home for the Holidays". Do make it an artful Christmas, and as we always say this time of year, "DON'T GET MALLED" !!!

"Jingle Bells, Jingle Bells ... Dashing to Spanish Village Art Center" !!! Hey, "artistic license", don't you know! We'll keep a (white) light on for You!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2010, all rights reserved

Pastoral Journey with Katy Reeve-Weesner

2010-11-13T21:06:00.000-08:00

"Giverny", Watercoulor by KATY REEVE-WEESNER
IMAGES ARE COPYRIGHT PROTECTED

Hello All.

It is not often that one comes across a talent as exceptional and mesmerizing as Katy Reeve-Weesner's. Nor, is it an everyday occurrence, in the painting world, to languish in the quaint and pastoral English countryside that one sees in Katy Reeve-Weesner's lovely watercolours. That is, unless you are Katy Reeve-Weesner.

Yet, that is exactly what I felt as I stepped into Gallery 21 where her "Journeys in Watercolour" (Paintings) exhibit was running 11:00 a.m. - 4:00 p.m. daily. Although I knew that I was in Spanish Village Art Center located at 1770 Village Place, San Diego, California, I, nevertheless, found myself standing in the English countryside gazing at hillside villages and the black faces of fluffy sheep meandering there.

I felt transported, as if I had stepped through a time warp onto a winding country road in the Yorkshire moors, and I easily believed that I had always been there! This English born artist who now lives in San Diego, California and specializes in watercolours of English and European countrysides, had magically transported me to a land of fairy tales and "Little Bo Peep". What a lovely sorceress is Katy Reeve-Weesner...come disguised as a painter of "Journeys".

Another amazing thing about Katy is her avid dedication to sketching. It is, in her opinion, the key part, and one of the most important elements, in the creation of her paintings. Year after year, Katy fills sketchbook after sketchbook with drawings and notes from her travels. I have to admit that I was truly amazed and thrilled by the six or seven sketchbooks that were on display in a glass case during the show. Page after page of countryside scenes, Parisian cafes, people and animals beckoned the visitor through the glass. The sketches, (really, complete renderings) accompanied by flowing script, fairly tumbled from the pages and could easily stand alone as art. Katy told me that this year alone, she has already filled two sketchbooks and is working on a third! (All, by the way, filled within a three-week period). This year her sketching covers scenes in Savannah, Charleston and England. Wow! Those fingers are certainly not sitting idle. Sketching is a form of poetry all its own. And, Katy Reeve-Weesner is as poetic as they come.

"Poetry" that caught my eye at this exhibition included small miniatures where the scene flowed out of the frame of the painting and overlapped the mat board. As with "Boscastle", a 12" x 14" painting in which seagulls circle a harbor nestled in a hillside village. The gulls actually fly out of the painting onto the surrounding mat board, giving another dimension to the composition. Another piece that I admired was "Castleton", a painting depicting a lovely rural village with narrow streets and a black cat slowly traversing its course, all surrounded by rolling hills. "San Toma" gave me a glimpse of the canals of Venice where two gondolas carried passengers along the quay, and "Burnmoor Sheep" portrayed sheep in a meadow above a country village. My favorite of all in the show was, "Long Lane Sheep", (my Little Bo Peep transport) set in the Yorkshire countryside where black faced sheep mill about on a winding road, that runs through an English village reminiscent of Katy's childhood.

At the gallery, Katy explained to me that she started very young in her studies. Her great-uncle, and mentor, took her on many plein air outings with their sketchbooks well in hand. Drawing was adamant, the key to successful painting. It was everything. Later, she attended art college for five years and is a graduate of London's Central School of Art. Katy says, "it was an intense submersion", where once again drawing was adamant. Well, Katy, after meeting you and seeing your show, I'd say "mission accomplished"! As for the great-uncle ... You done him proud, Katy.

"Long Lane Sheep", Watercoulor by KATY REEVE-WEESNER
IMAGES ARE COPYRIGHT PROTECTED

Katy Reeve-Weesner, the English-born artist, lives in San Diego, California and can be contacted through her website: www.katyreeveweesner.com.

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2010, all rights reserved

7 Printmakers Make Their Mark at Gallery 21

2010-10-23T08:10:00.000-07:00

                    "Iguana/Cattleya", linoleum cut by KATHLEEN McCORD, printmaker
                    IMAGES ARE COPYRIGHT PROTECTED

Hello All,

Heavens to Murgatroy, it's been way too long since I put pen to paper, or I should say fingertips to keyboard! But, I'm back...and, have I got a tale to tell! "Are you ready"? "Yes, you're ready"? Well, here it is. I mean, "HERE IT IS"!

Back at Gallery 21 for their 16th (you heard it), yes their 16th Annual Exhibition are the 7 Printmakers. How's that for true dedication to the very fine art of printmaking? The show runs from October 13 - October 25, 2010 at Gallery 21 from 11:00 a.m. to 4:00 p.m. daily. Gallery 21 is located at Spanish Village Art Center, 1770 Village Place in scenic Balboa Park.

If you are an art aficionado, have a keen eye and an appreciation for the minimalistic and highly refined color schemes, intricate line work and graphic simplicity of printmaking, this exhibition is for you. Even if you don't, it is time to acquire an acumen for this ageless and beautiful art form. The 7 Printmakers can teach you a lesson or two.

As a visitor to the "7 Printmakers - 16th Annual Exhibition", I first perceived a graphically simple poster board in the marquee box just outside Gallery 21. It was pale yellow in color with starkly chiseled angular black letters. Suitably representing, I think, the most essential thing about printmaking. Simplicity of design which portrays and conveys the "most impact with minimal effort". Nothing wasted with just the right amount of elements in the composition.

Got your attention? They certainly got mine. So, who are these ageless and mystical purveyors of grease pencil, ink, stone and metal? I'll tell you.

The 7 Printmakers are Raymond Brownfield, Jacqueline Dotson, Robert Fritsch, Kathleen McCord, Julianne Ricksecker, Sfona Pelah and Angelika Villagrana.
Like magnets on opposite polar settings and vectors in the stratosphere, they seek each other out and gravitate together with a subconscious, but, singular purpose in mind. "To create, and therefore to be".

Back from my library research and intimate chats with Sfona Pelah, Angelika Villagrana and Kathleen McCord at the gallery. What an artistic "High"!

If one thinks for a minute that printmaking is a simple uncomplicated process, one is very much deluded. If one thinks that it is "beauty transformed from metal, stone, wood and linoleum", one is aptly correct. If one surmises that it is an art form that reflects a mirror image and is initiated in reverse, again, one would be "spot on". All these things became more and more apparent to me as I spoke with Angelika, Sfona and Kathy. Being a pencil artist myself, my mind ran in ever expanding dimensions just trying to keep up with the magnitude of the process as it was explained to me.

Nonetheless, I was intrigued and riveted to every word. (I think Angelika may have recruited a new printmaker, "in the making", without even trying). As she explained the process to me, vague memories of experimenting with intaglio and grease pencil in high school surfaced. Most of that memory involved feeling frustrated without really knowing what I was doing, but in the brief time I spent with Angelika and Kathy, a whole new world opened up right before my eyes!

Walking through the exhibit, I experienced a great appreciation for these artists, and their endless dedication to keeping an ancient art form alive. It was easy to sense their actual love of the medium from the refinement that is inherent in all of the work.

As a pencil artist, I was drawn to Raymond Brownfield's work which is executed using grease pencil on stone. There is something about black and white composition that I find difficult to resist. Perhaps, it is because there are only two elements in the mix, ie. "the black element of the pencil (positive space) versus the white background and negative space created by the juxtaposition of the two". At any rate, "Ray" as everyone calls him, has a refined and finite touch in applying the pencil work and shading in his lithographic printmaking. I absolutely loved his "Aphrodite" lithograph showing a female figure with her arms raised above her head, fingertips touching, as she twisted her torso to look back over her left shoulder. The unexpected presence of wishbones in the composition added just the right touch of inquisitiveness and surprise. "Likewise, Osteo", a lithograph on stone also depicting wishbones, was enchanting and mesmerizing. Many a visitor to the show was spellbound by this element in Ray's prints. The recurrent theme of "wishbones" in his compositions was amusing and captivating. Quirky, but captivating!

Sfona Pelah's pieces, all untitled, are small but mighty! Scenes and images, mostly in black and white impact the viewer's eye with their slightly tilted layout and landscapes. There is a great deal of dimension in each of her prints. One "Untitled" intaglio, in particular, appealed to me in a dizzying tilted view seen by a passerby at the top of a stairway. The scene depicts winding stairsteps descending into a village where a faraway train winds its way through a mountain passage, and passengers await it at the station. I got the feeling of looking from a "bird's eye view as I gazed at the landscape. Sfona works in a variety of forms such as intaglio, monoprint, collagraph, monotype and digital printing. An interesting aspect in many of Sfona's prints is how she creates more dimension by cutting borders into her plates which adds a wonderful element of decorative embossing along the edges.

                               "Untitled", lithograph by SFONA PELAH, printmaker
                               IMAGES ARE COPYRIGHT PROTECTED

Angelika Villagrana evokes emotion and a "subliminal memory" with her strongly contrasting woodcuts, monotypes and intaglio prints. Strong, but not overly bright, color is juxtaposed against stark black or white backgrounds, and emphasized by black outlines. The undeniably "French" flavor of mummery in many of her compositions is powerful and spellbinding. One might say her approach to the subject matter is simplistic, almost spartan. But, there was nothing "spartan" about the effect that each piece had upon me. Standing in front of any of Angelika's works put me, and all viewers, right at the "heart " of the matter. The emotional portent of each piece reached right out and grabbed me, completely erasing any need to ask Angelika, "Why"? My hand kept rising, of its own volition, to touch each piece and, thereby, channel its meaning. Gosh! I wasn't impressed with Angelika at all, was I?

Kathleen McCord has a most unusual and whimsically offbeat way of combining patterns that simulate paper cuts, with graphically outlined floral and animal figures. Whew! Was that a mouthful or what? But, it takes that to accurately describe Kathleen's intricately executed and delightful linoleum cuts. My first impression of the work was, "What am I seeing"? It took a split moment (yes, moment) to take it all in and register. Once that happened, my reaction was the beginning of a smile as the corners of my mouth began to twitch. This soon turned to instant glee and laughing out loud! Anyone who would think to combine lace with the Creature from the Black Lagoon is a creative thinker to the Max! And, that's just what Kathleen is. Putting together the Creature, as well as flowers and iguanas, with her lacy linoleum cut backgrounds is an expression in "originality" that I never would have expected. I think that Kathleen has proven that originality never sleeps, at least not in a room where she creates.

I particularly liked the soft subdued hues of Robert Fritsch's prints. Soft, earthy tones mingled with a stippled shading beckoned to me and the other visitors in a quiet, but compelling way. Although Robert displayed only four pieces in the show, each was uniquely memorable in its own light (yes, I do mean light). "3 Apples", a lithograph/color trial, as Robert described it, held me spell-bound for quite a long time. Again, the black stippling in combination with the rosy color of the apples, although minimalistic, was perfectly applied to create this exquisite piece. Another such lithograph/color trial was "Point Loma". Robert not only is a master of printmaking, but, he also has an active lithograph studio located behind his home in Point Loma, where he invites other artists to come and print on Saturdays. Remarkably talented and generous in his sharing of the art, Robert Fritsch is a staple (not stipple) in the printmaking society.

Jacqueline Dotson's intaglio and collagraph prints are contrasts in black and white. Her intaglio print "Flirtatious" captured my attention easily. I am not sure if it was the boldness of the black outline or the figure itself that held me. The print of a lady wearing a hat and bedecked in ruffles, surrounded by an intricately drawn pattern in the background, was amazing. The intricacy of the line work in the background spoke volumes of Jacqueline's patience and dedication to detail. Other impressive pieces in the show were "Marquis", intaglio and "Two Clowning Clowns", collagraph/intaglio. Along with her expertise as a printmaker, Jacqueline is also a talented painter. I always knew good things come in two's!

Julianne Ricksecker is a multi-talented artist proficient in printmaking, monotype, pastel and watercolor. Many of her art pieces and prints depict landscapes and seascapes. That's a pretty "tall order" when you consider the several media that she creates them in. Julianne's works in the show included prints in monotype, color intaglio and drypoint. One of my favorites was entitled, "Foggy Day, Yosemite Valley", a color intaglio print. Quite often, Julianne works on copper and zinc metal plates, where an acid resistant coating is laid on the surface, and then uses a scraffito or scratching method to delineate her designs. Equally intriguing are her monotypes, such as "Along St. Mary River" and "Avalanche Creek". My oh my. "Who's Afraid of Julianne Ricksecker" aka tour de force?

Having known each other for sixteen years this group of dedicated printmakers have accomplished great things. The annual exhibit spearheaded by Angelika Villagrana has always been spectacular. It is an accepted fact among printmakers that they just seem to "know each other", and pole together. When I asked how "7 Printmakers" came about, Ray Brownfield, exuberantly announced that, "I kept bugging everybody and saying, we just have to do a show. We just have to do a show! I guess they got tired of my shouting, and decided to do a show just to shut me up"!

Well, Ray, I for one am so happy that you kept plugging away, because "What a show it was"!

                  "House by the Sea", woodcut by ANGELIKA VILLGRANA, printmaker
                  IMAGES ARE COPYRIGHT PROTECTED

Written and posted by Cassandra Shepard, Studio 32
All images, text and content copyrighted, 2010, all rights reserved

"The REAL Life of Mannequins" revealed at Gallery 21

2010-09-29T07:36:00.000-07:00

"Mannequins", digital art by JANINE FREE and GUY MAYENOBE

Hello All.

A new and innovative digital art exhibit has arrived at Gallery 21 in Spanish Village Art Center located in beautiful Balboa Park. It is dubbed "The REAL Life of Mannequins". The show is being "revealed" by Janine Free and Guy Mayenobe as "a digital art exhibit on metal and paper" from September 29 - October 11, 2010. The exhibit will be open daily from 11:00 to 4:00 p.m. at 1770 Village Place, San Diego, California 92101. Opening Reception is Friday, October 1, 2010 from 6:00 to 9:00 p.m. featuring music by the jazz band, "Endangered Speciez". Janine and Guy, ever the enthusiasts, are also throwing a Closing Reception on Sunday, October 10, 2010 from 11:00 - 3:00 p.m.

Of the show, Janine says, "that she and Guy have two radically different ways of unveiling mannequins". And, why not? We've all heard, "Beauty is in the eye of the beholder". Why not then, perception? Janine Free is capturing reflections that look digitally manipulated, but are not, and Guy Mayenobe creates images that look real but are fabricated". Now, I tell you, that notion alone has "captured" my attention, not to mention the images that Janine kindly e-mailed me for the show's poster bill. Grab your "glad rags", "free your minds" and "surrey on down" to "The REAL Life of Mannequins", folks! I promise you won't be bored!

On the contrary, Janine Free and Guy Mayenobe are absolutely set on "expanding your horizons" and "blowing your minds"! And, here you thought mannequins were just inanimate plastic with no REAL life of their own. Well, trust Janine and Guy to "unveil" the (shhhh-hhh) truth about mannequins!

"Olive Oil", by french artist, GUY MAYENOBE
IMAGES ARE COPYRIGHT PROTECTED

I'm back from the "REAL Life of Mannequins" opening reception, and what an experience! The art was fantastic, the music mellow and the banquet bountiful with an atmosphere reminiscent of "nights in Parisian parlors where art, wine and colorful conversation flowed into the wee hours of the dawn", or at least what I imagine it was like back then. Guests mingled and moved about the exhibit, some awed and silent, some verbally animated, but all wearing huge smiles and sparkling eyes. One simply couldn't help but smile and express wonder in this amazing show.

Well, it appears that the "truth about mannequins" is, perhaps, that there is no one "truth" which describes the mannequins that appear in this unique exhibition. True to Janine's description, she and Guy do have a totally different perception as they reveal their subjects and, therefore, an expression each their own.

Janine Free's mastery of her subject matter is based on reflected imagery and the play of light off of surfaces and glass. Everything that is seen in her photographs is actually in the scene she originally shoots. There are no "embellishments or digital additions" in Janine's images. Carefully and creatively manipulated, the many layers of images that one perceives in her photos have been exaggerated or diminished, moved forward or into the background to create the effect that she wants one to see. Janine takes only one photograph in her process, and then skillfully creates an image that gives the viewer the impression that she has superimposed several photos over top of each other. Oh, how "not so"! Clever girl, that Janine.

Guy Mayenobe enhances and transforms inanimate plastic or wooden mannequins into human like forms by blending eyes and lips from "real people" into the digital images. Sometimes the subjects looked like mannequins with human eyes and lips. Other times, when I thought the mannequin was a real person with implemented lips, it was just the opposite. The resulting photographs were mesmerizing and mind bending. I felt a kind of "hypnosis" when I stood looking at Guy's images, slightly disorientated and unable to pull my vision away from the eyes of the figures. I got a feeling of drifting, being "drawn in" to the photographs, and then of suddenly regaining awareness and shaking myself to return to a sense of reality. I kept expecting the mannequins to actually speak. Simply, mesmerizing, Guy!

I have always found it intriguing to listen to the conversations of visitors at any art exhibition. This exhibition was no different. At one point, as I sipped my glass of white wine, one visitor asked me if I knew which of the crowd were the artists. I answered, smilingly, and pointed out Janine and Guy as they spoke with the guests. They were both, winningly, humble and soft spoken enjoying their interaction with the visitors as much as the guests enjoyed meeting them. The guest that I was speaking with expressed, "I would have expected a much younger woman as the photographer, given the subject matter in the photographs". I quickly retorted, without hesitation, "Ahh, but, they are French you see",(including Guy in the description). "Their minds and spirits are forever young and fashionable"! The visitor smiled broadly, and said, "Oh, that's how they do it". I sighed a joi(full), "Yes"! We both smiled even wider, if that was possible, and turned to admire "Olive Oil" as she gazed back with a "revealing eye"!

Hold that thought...pose...thought! You know what I mean. Ever see a mannequin that wasn't posing? I guarantee Janine Free and Guy Mayenobe haven't. Strike a pose and "Vogue...Vogue...Vogue"!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2010, all rights reserved

"There's Nothing Like a Dame, V" at Gallery 21

2010-09-22T10:10:00.000-07:00

"Red, Orange and Yellow Peppers", by pastel artist, KAREN HOWARD
IMAGES ARE COPYRIGHT PROTECTED

Hello All.

"Shades of "South Pacific"! The Dames are back and "In the House"!
Yep, you've got it! And, so do they, folks. They've got it right, when they say, "There's Nothing Like a Dame!" The Dames have it all "going on" in Gallery 21 at Spanish Village Art Center, located at 1770 Village Place in Balboa Park. The fifth annual show runs from September 15 - 27, 2010, and is open to the public everyday from 11:00 a.m. to 4 p.m. daily.

Each year when I see the title for this show, and the exceptional group of 7 "Dames" (that's gifted Ladies to you, folks) I have to smile. It conjures up all sorts of whimsical images in one's mind, and gives me an amusing insight into the characteristic sense of humor of the group. (Gifted artists with a great sense of levity). That's a "winning hand". Even their logo, of a bandanna clad well-muscled dame, flexing her right arm while wielding a paint brush, and boasting the slogan of "Yes, We Can", testifies to this. Who needs "South Pacific"? We've got them right here in Spanish Village. I think these Dames can "bring home the bacon and fry it up in a pan"! And, I haven't even gotten to their painting, photography and glass fusion skills yet!

These 7 remarkable artists are: Shandel Gamer, pastels, Karen Howard, pastels, Dana Levine, photography and pastels, Wilma J. Lopez, en caustic, Eileen Mandell, photography, Caroline Morse, oil, acrylic and photography, and Marcy Stinton, fused glass.

This year's show is a wonderful collection of 2-dimensional paintings, pastels, en caustic, infra red photography and 3-dimensional fused glass sculpture. When I visited the exhibit, Marcy Stinton cheerfully and proudly shared their story with me. It seems that these "Dames" have known each other for fifteen years or so, and all started out at the La Jolla Art Association. It is remarkable that there are artists who can boast of being a part of that well-known and esteemed organization; even more remarkable that they have been together all this time.

"Wild Antique Rose", fused art glass by MARCY STINTON
IMAGES ARE COPYRIGHT PROTECTED

Shandel Gamer holds a Bachelor of Arts in Comparative Literature, SDSU, 1978 and a Master of Arts in English Literature, SDSU, 1977. Wherever does she get the time? (I guess that's just what Dames do...make the the time!) Born in Winnipeg, Manitoba Canada, her interest in art began in high school as a portraiture artist. Shandel, true to form, put her nose to the grindstone, and unfailingly, progressed into wildlife portraiture over the next twenty-five years. Her chosen medium, of pastels on sanded paper and board, depicts detailed subjects in the foreground, as the "focal point" of her paintings. She, intelligently, places the images against muted and slightly "out of focus" backgrounds for a wonderfully intriguing effect. Shandel's paintings are admired and widely collected by discerning patrons in the United States and Canada. Now, I ask you, "Is that a Dame, or what?"

Karen Howard is a member of the Pastel Society of San Diego and spent her early years on the coast of New England. Beginning her art experience with a pencil, as most artists do, she soon discovered the wonders of pastels, and as they say, "the rest is history". 30 years of history as a matter of fact. Constantly searching for innovative ideas in her creative process, Karen has discovered Le Carte Pastel Card, a sanded paper that allows multiple layering; and uses it as the surface of choice for her pastels. Among her portfolio styles are Still Life, Portraiture, Seascapes and Wildlife. In painting, Karen hopes that the viewer will "take a step closer to examine the fine details in the shadows, reflected light and reflections". (And, believe me, you will... because you won't believe your eyes.) Ever so modest about her raging talent, this is one beautifully "blushing" Dame that comes to the table, "All In". She gives "trompe l'oeil" something to crow about!

Dana Levine, in her own words, "studied the unlikely combination of art history and chemistry in college", and holds a PhD, in Biochemistry! After a professional career as a scientist and educator, she moved to La Jolla, California and resumed her interest in the arts. (It gets better.) Once there, Dana studied traditional painting and soon developed an interest in digital photography. She now exhibits and sells both paintings and photographs. Dana is a member of the Digital Art Guild and San Diego Watercolor Society (yin and yang?). Believing that art and science are not really an "unlikely combination", she says that, "Both strive to see nature with a fresh eye." (Dames see things differently). Dana's aim is to find beauty in "unexpected and unlikely places" by exploring the "inner richness of nature and the human form". Where did this Dame come from? The Amazon? Or, Pluto maybe.

Wilma J. Lopez is a virago and a force to reckon with. Determined to learn and perfect the technique of en caustic wax painting, in classic style, she taught herself the art fifteen years ago. (You go, Girl... uh, Dame!) Since then, Dame Wilma has become a nationally renowned en caustic artist, and is now teaching her unique style of painting to enthusiastic beginners. She has won awards for her paintings on both coasts of the United States. Wilma is an avid member of the Foothills Art Association and the San Diego Museum of Art Artists' Guild. She says of herself and her interests that, "Through my en caustic paintings, I try to create unique original works which perfectly balance my knowledge of color and technique." Job accomplished, Wilma. Take a Bow!

Eileen Mandell began her career as a black and white photographer spending hours in the print lab working with black and white images and alternative photographic processes. She says of her art, "Photography is always the source - the seed of my ideas." With a background in art and her interest in the play of light and dark (as it affects color and tone), Eileen easily segued into the area of infrared. "Infrared is one of the alternative processes that always intrigued me...And, the images~the contrast, radiating glow and altered tones, based on the heat emanating from the subjects, are both sensual and surreal." Along with her photography, Eileen teaches Digital Art and Photography at the high school and college levels. She admits that, "The students keep me energized, and keep me on my game." I have seen Eileen's infrared photography, and am awed by its intensity and high emotional impact. So, I can tell you all, "This is a Dame with Game aplenty"! Spot on, Game.

Caroline Morse is a transplant to Southern California. She grew up in Seattle, Washington, but mostly lived in New York, the Big Apple! Caroline arrived in San Diego in 2000 after illustrious careers in foundation administration, agency management, social work and art therapy! Whew! What a Dame. I'm exhausted just thinking about it. Of her oils, acrylics and photography, she states, "My paintings are interpretative realism with an emphasis on color, space and light. I seek to capture energy and emotion, combining substance and meaning with aesthetics." Caroline holds membership in the La Jolla Art Association, San Diego Art Institute, Allied Artist Association of Visual Arts Group and Penwomen (and, her list of past exhibitions wraps around the Empire State Building several times). I tell you... this "Dame" can give you a serious complex!

Marcy Stinton was born in Norwood, Massachusetts, but has lived in California for over thirty-five years. Originally a stain glass artist, Marcy found, for her own tastes, that fused glass presented a more challenging medium. Ever-ready for a challenge, she dove in without hesitation. Marcy has studied with well-known wildlife glass artist, Kathleen Sheard, but is primarily self-taught. (That's what I call "taking the initiative".) And, how about this? Most recently, Marcy has begun using a sand blaster with which she creates etched or carved images in her fused glass! (See what she means by..." Ain't Nothing Like a Dame"?) Marcy says that, "I enjoy creating unique images in my mind, and then transforming them into glass. The challenge to me is how to manipulate the glass, using combinations of warm and hot glass techniques in order to bring the images to flourishion."
Ain't that just like a Dame? Better step back, Guys and Dolls. Marcy's just getting rolling!

Hold that thought! Be right back. Just stepping out to the kitchen for a short writer's break. Hey, a "Dame's gotta have a cup of Joe" every now and then.

Okay, back to the keyboard with that steaming cup of Colombian Joe, and wrapping it up for the Dames! These ladies will "Do you Proud" any day of the week, month or year. But, for right now, get in to see them at this fabulous exhibition. It makes a Girl (uh, Dame, that is) stick out her chest and say, "Let's hear it for the Dames"! There just ..."Ain't Nothing like a Dame"!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2010, all rights reserved

Kathy Ruiz, "Ewe Just Gotta Spin"!

2010-09-10T13:53:00.000-07:00

Hello All,

Heads up to all of you Wool Lovers out there. "GOTTA SPIN, GOTTA SPIN ...GOTTAAAA SPIN! Hey, Gene Kelly hasn't got anything on me, or maybe I should say on, Kathy Ruiz! Kathy is one of the best-kept secrets in Spanish Village Art Center! Well, maybe not anymore. Not if I can help it. "Front and Center", Ms. Ruiz. You're about to be discovered!

Kathy Ruiz, of studio 19, dedicated mother, rancher (sheep, that is) and spinner par excellence! How's that for an intro, Kathy? You have earned it, my friend. Talk about, "You've come a long way, baby"! "No brag ... just facts"! Honored guests and visitors, "I beg to put before you, Kathy Ruiz". Okay, folks, all quips and quotes aside, let me astound you with the story of Kathy Ruiz and Irish Rose Yarns.

"How many skeins would a spinner spin, if a spinner did spin wool"? Who cares how many? It is the amazing process by which she creates the yarn that fascinates and confounds the imagination. Not only does Kathy spin, but she and her four children birth, raise and shear their own sheep and goats to harvest the magnificent wools that she processes, and then spins into these amazing natural and colorful hand dyed yarns.

"Live, from Spanish Village Art Center, it's Ms. Ruiz and Irish Rose Yarns"! I first met Kathy three years ago when she came to Spanish Village Art Center. Her daughter, Rose, had just juried into the Village with her painted feather art. Kathy accompanied Rose on her days at the Village, and immediately took to the atmosphere of our art center. Their enthusiasm for our organization and their pleasure at becoming a part of Spanish Village was apparent from the start. (Not long after, Kathy juried her yarns and spinning crafts into Spanish Village Art Center with strong encouragement from many of our members.) Kathy, Rose and the rest of the family soon became familiar faces as they settled into the pattern of the Spanish Village Art Center "quilt". (Oh, incidentally, Kathy is also an enthusiastic quilter).

On my jaunts about the Village, I noticed Kathy sitting outside the studio "carding" or actually hand sorting and separating wool from a small basket on her lap. Always friendly and open, Kathy looked up from her work when I paused, mesmerized by what she was doing. My curiosity was immediately piqued; I was intrigued and we began to chat. Kathy regaled me with the story of her "love affair" with wool which soon led me to the history of her home aka sheep ranch, the very unusual lifestyle that she and her family live, and to the discovery of Irish Rose Yarns.

Well, I'll tell you, it didn't take long for me to become a devoted buyer of Kathy's magnificent yarns and roving. As I said, I was immediately intrigued..."hooked" is a better way to describe it. I have been collecting her yarns ever since, and have quite an assortment in my yarn bin. I have been felting for over three years, and recognized the potential for Kathy's yarn in my work. The "naturals" are warm and earthy as well as iridescently white and silver. The "hand dyed yarns" are pastel to brilliant with a wonderful spectrum of colors to choose from. Although, I am a "full color" enthusiast, Kathy's natural yarns tug at the "nature" part of my creativity, and I continually gravitate to these yarns (the angora in particular). Oh! Shades of Arlen...and now there is Seamus, too. (Father and son - Angora style). Both goats (yes goats) are mixed with white and silver locks and are absolutely "fabulous"! So, extraordinarily soft and glowing! But, let me contain my enthusiasm for a moment and go back to the beginning: How Irish Rose Yarns came into existence.

The Irish Rose saga started quite simply and practically. Kathy and her family owned a sizable ranch with a lot of wild brush; and it soon became necessary to purchase two Shetland sheep to eat the brush, and, thereby, keep it under control. Simple, right? Maybe. After a period of time, Kathy needed to shear the sheep, and discovered she had a massive amount of wool fleece on her hands. Now, the problem was what to do with it! So, Kathy started to read about wool and spinning, which led to creating yarns, and then to learning to knit. So on, and so forth!

In her own words, Kathy, "was hooked"! She first dedicated herself to creating clothing and accessories for her family...whatever they needed to keep warm. Functionality first. But, then imagination took hold, and it wasn't long before her curiosity and love for the craft took complete control of her consciousness. One idea led to another until Kathy was soon shopping for more sheep.

The sheep community is friendly and supportive, and several ranchers were delighted to help Kathy learn about and acquire more sheep. At one of the ranches, a particularly friendly little "sheep" intrigued her each time she and the family visited. He would always stand at the gate whenever they came, and greet them enthusiastically. When Kathy inquired about him, she was told that he was actually an Angora goat. She was in love! The rest is history, as they say. Now she would add the lustrous soft fleece of the angoras to her repertoire of Shetland wools. Irish Rose Yarns was growing by "leaps and bounds! No pun intended.

By now, Kathy was well on the road to marketing her own yarns. She decided to dub her line, "Irish Rose" because her very Irish father always sang, "My Wild Irish Rose", when she was a girl. (Good thing, too). Starting with the naturals, Kathy soon delved further into coloring the fleece with natural and fiber reactive dyes. She sometimes uses grasses and other intriguing natural substances to achieve remarkable earthy colors. The spun yarns range from standard size and shape to creatively bumpy and twisted blends depending on the type of wool that is used.

This is "Fern" before she is sheared with a "little bit of fodder" to help the shearing "go down".

To me, the most remarkable thing about Kathy is how she processes the wool. It is an intensive labor of love, determination and resiliency. Taking into consideration the amount of work and strength it takes to shear the sheep, harvest the wool, clean and dry it, and then spin it into yarn, I am nothing less than amazed that someone the size of Kathy Ruiz can accomplish this. Of course she has plenty of help from Rose, her daughter, but, neither of them is Charles (or I should say, Charlene) Atlas! This amazing woman deserves an Oscar!! Kathy will just demur and modestly say, "I do it because I love it". "I just love it"!

Kathy and "Fern", during and after the shearing. Fern is a "bountiful harvest". She yields five whole pounds of fleece each time. Not Baaaa-aad!

BAAAA! BAAAAAAAAAAAA! Hold the bus! Arlen, my favorite little angora goat, is stuck in the fence again! Better go and give Kathy a hand! Stay tuned!

Okay, I'm back, and Arlen is none the worst for wear. He is very inquisitive, though, which keeps Kathy on her feet. You know how babies are (Don't laugh. Arlen still thinks he's the baby!). Can't wait to get my hands on more of his gossamer locks.

As I was saying, Kathy's diligence is nothing short of miraculous. She produces an amazing array of hand spun fiber, as well as some intriguing knits for the enthusiasts' delight. You can see her yarns, hand knit caps and fingerless hand warmers several days a week. She, Rose and Lily highlight the patio at Spanish Village Art Center, where they set up their display near Gallery 21. Kathy's creations are earthy and spontaneous, but the intricately patterned knit work is, surprisingly, done by young Lily, whose stitches have the intricacy and perfection of a knitting machine.

Kathy and Rose are partners in Studio 19, and you can see their work daily at the studio. Rose paints miniatures on the feathers from her exotic chickens, and recently has added oil and acrylic paintings to her repertoire. Lily can often be seen and heard about the Village playing original and traditional compositions on her dulcimer. They are a creative family, and add a great deal of color to Spanish Village Art Center.

Kathy Ruiz' love for her family and her spinning is apparent. She is completely connected to the earth through the outpouring of her craft, and dedication to this connection. Her Irish Rose Yarns and her family are a testament to this dedication. And, one must remember, always, that she does it simply because she, "...Loves it. She just Loves it".

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2010, all rights reserved

East County Art Association "Brushes" into Gallery 21

2010-09-06T20:09:00.000-07:00

"Dances with Eagles", original oil painting, by MIKE WATSON
IMAGES ARE COPYRIGHT PROTECTED

Hello All.

If ever you've had a "brush" with art, or just wanted to pick up a brush and try your hand at painting, the East County Art Association is the organization for you. The association is hosting its 2nd annual show, a "Juried Member Appreciation" exhibition at Gallery 21 from September 9 - 13, 2010. The exhibit is open daily from 11:00 a.m. to 4:00 p.m. to all visitors to Spanish Village Art Center and Balboa Park.

This year's show was juried by Drew Bandish, a San Diego artist and educator who currently paints in watercolor and pastel. Drew earned his Bachelor of Arts in Painting and Printmaking at San Diego State University, and since 1987 has offered art classes in Adult Education and Community College continuing education programs. Of himself, Drew says," I especially enjoy the process of watercolor painting...creating exciting personal color by mingling watercolor paints on the page.

Let's see now. Who are the "artists" that make up the East County Art Association? In 1976, a small group of artists met to form an organization with goals to promote friendship and fine art appreciation in all visual media. Since then, they have become a nonprofit organization in 1986 and have grown to become one of the largest and most active visual arts organizations in the East County of San Diego.

The East County Art Association boasts over sixty plus members and meets on the second Monday of each month at Rancho San Diego Library. The public is invited to attend and consider membership. A diversified membership, the East County Art Association welcomes all media and levels of accomplishment which includes talented beginners as well as professionally accomplished artists. Claire Peck is current President of East County Art Association.

The 2nd Annual Juried Member Appreciation Show of the East County Art Association certainly has a wide variety of artists and media. Media entries range from pencil to pastel to acrylic, watercolor and oils. The age range of the members is from youth to a "whopping" 90 years old! In fact, one of the most amazing and revered artists in the group is 90 years old, Phebe Burnham! Phebe took 1st Place this year for her pastel drawing of "Assistant Band Leader", showing a young girl in her "bandleader" garb. That just goes to show that you are never too old to "strut your stuff"! Huh, Phebe? "You go, Girl"!!

As much as I was charmed by Phebe's 1st Place winner, I was, nonetheless, completely captured by her pastel of "Swan Lake - Here I Come", a captivating portrait of a precocious "pre-prima" ballerina, bedecked in lacy chiffon with a strand of pearls (obviously her mother's) pinned in a ring around her head, gazing at her image in the mirror. On her left wrist is a bracelet of pearls to match the "crown" of pearls in her hair. The image that one sees of the young girl is from behind poised in front of the mirror.

Immediately, I surmise that she is playing "dress up", and think, "Ah, how lovely".
But, it is the expression on her face in the mirror that stops me in my tracks. The precocious minx is very much aware of who she is and where she is going. (Hence, Phebe's title of Swan Lake - Here I Come). Standing behind Phebe's little swan is a doting mother (shown in reflection) who undoubtedly supports her daughter's dream. But, it is the child's own "vision" of affirmation and recognition, clearly portrayed in her expression, that enraptures. Looking at her, I have no doubt that some very fortunate ballet company will one day boast of this little swan's miraculous performance on the grand stage. Now, folks, I ask you, "How about that for "emotional evocation" in a painting by a 90 year old master"? I think Phebe is "Fierce", don't you?

Not to go unsaluted are the other Award Winners of this year's exhibition. They are 2nd Place Winner, Claire Peck for her watercolor, "Scoutin' Scouts", and 3rd Place Winner, Mike Watson for his oil painting, "Dances with Eagles".

Honorable Mention went to Pat Yeakey for, Seaworld Pals", mixed media, L.J. Crowe for "The Hunter", eggshell mixed media, Gale Vavva for, "A Way Out", mixed media and Elsimae Cleeton for "Arizona Storm", watercolor.

Although, he did not win an award this year, I was particularly taken with a work by Jorge Leon. His acrylic abstract, "De Projundis", meaning deeply profound, was a wonderful contrast to the realism of the other paintings in the show. A perfect mixture of bright colors and white space, this painting lured and held my attention for a long time. I have always found in my own painting that if I can turn the canvas in any direction, and find no "void" (space without meaning, movement or place), then the artwork is complete and successful. "De Projundis" gave me that sense of balance and completeness expertly rendered, and I would like to commend Jorge for its birth.

And, the praise would not be complete without a salute to Spanish Village's very own Dr. Jenny Ferrone, of studio 37, for her participation in this year's show. Jenny had two paintings accepted in the exhibition, "The Pond" at Lake Murray and "Sunflowers", both oils. "Way to go, Jenny"!

Congratulations to you all, and see you next year. In the meantime, "Brush On"!

IMAGES ARE COPYRIGHT PROTECTED

The East County Art Association may be contacted at P.O. Box 148, El Cajon, California 92022. Or, look up their webpage:http://www.eastcountyartassociation.net.

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2010, all rights reserved

Now Showing: Yumi's "Symphony of Light"

2010-08-23T08:45:00.000-07:00

"Symphony of Light", by artist YUMI
IMAGES ARE COPYRIGHT PROTECTED

Hello All,

Yumi returns to Gallery 21, in Spanish Village Art Center located in beautiful Balboa Park, for her annual exhibit. The show runs from August 18 - August 30, 2010, at 1770 Village Place and is open from 10:30 a.m. to 5:00 p.m. daily.

Already familiar with Yumi's beautiful paintings, which consummately reflect an inner part of her being and an eternal spiritual awareness, my attention is drawn immediately by the title of her new exhibit, "Symphony of Light". Taking into account her Japanese heritage and the title of this new show, I assumed there might be some connection between Yumi's new exhibit and a recent showing of the "landscape" kimono of Itchiku Kubota (also entitled "Symphony of Light") at the Timken Gallery and San Diego Museum of Art. Clearly, one should never "assume" anything about "Yumi" for her vision is, uniquely, her own.

Born in Tokyo, Japan, Yumi studied under Ukai Uchiyama, Japan's master watercolorist. While she was a student at KEIO University, Yumi illustrated children's magazines and books. After graduating with a BFA, she studied at the Academy of Arts College in San Francisco, California. Her creative and artistic credits in the U.S. span a period of years from 1985, (when she moved from Holland to San Diego, California), to 2010 and her current exhibit.

Included among these credits are a video, "The Colors of Yumi"; paintings on the cover of SEIKEI KAISHI magazine, (1994-1996); 2005, a Tokyo exhibition, "Light, Tokyo-Holland-San Diego"; awarded the Key to the city of La Mesa for her outstanding teaching contributions; 2006, wrote for ARIKA magazine in Japan; completed Public Art for the City of La Mesa and SDSU Business District; 2009, featured in "Light House magazine, Japan"; 2010, "Symphony of Light" exhibition at Gallery 21.

There, now. That is the expected, the obvious image one might have of Yumi. That is the "Yumi" on paper. What I want to share with you all is the true "essence" of Yumi. That special "something" about her. There is an integral "spiritual" quality that surrounds Yumi. One cannot be long in her presence without sensing it. Her aura exudes it, her smile confirms it and her paintings evoke it. I give to you the word that I think best describes it... "Light".

And so I come to the true nature and impetus behind Yumi's creation. Perhaps, the key to the titling of her latest exhibition is "Light"... Light, actual or subliminal. Light of day or night, light seen or imagined. Light that evokes emotion or the silence of reflection... reflection of the color spectrum or the soul. Light that nurtures and sustains. An awakening to and movement "Toward the Light". This is a recurring theme in all of Yumi's work. Her past three exhibitions have all dealt with this subject matter. "Light", "Night and Day" and "Toward the Light". All of which have brought her to the current exhibit, "Symphony of Light". Of her exhibition, Yumi says, "If you find the LIGHT from my painting to uplift your spirit, I would be happy and content".

I step into Gallery 21 and the sound of a ukulele softly strumming "Somewhere over the Rainbow", by Israel Kamakawiwo greets me. As I move among the paintings, I am made aware of the importance of light in all of Yumi's compositions. Central to the exhibit is her "Symphony of Light", a golden painting depicting a string trio of violin, cello and guitar accompanied by a pianist, and watched over by an angel of Light floating high above them all.

Moving through the exhibit, I am keenly aware of the many ways light plays a part in Yumi's vision. Light as seen in "Morning Light on the Prado", or in "Backstage 2", a lovely painting that captures an actress, beautifully coiffed with her hair piled high on her head, looking out of a window at the street scene below. Similarly intriguing is "Music Break" depicting a guitarist perched on a stool, where rays of warm golden light pour through a window, and an over sized cat lounges in the glow on a window seat. Circling back to the front of the gallery, I encounter a painting entitled, "White Swans". Looking at this mystic swirl of white and yellow light that surrounds three white swans, juxtaposed by aqua and blue-green shadows, I am captured by the movement and luminosity created by Yumi's brushstrokes and minimal use of color.

Yumi says, "The art exhibition, "Symphony of Light" is dedicated to my parents and Zazuko for their Love and Wisdom". Not a surprising sentiment coming from such a rare soul. At one point during my visit, I overheard Yumi explain to another visitor that, "My paintings are like my children...when a customer comes and asks to see my old paintings, I get very emotional". All in all, I would say a visit to "Symphony of Light" is an emotional one. It is a "tale told by a beautiful spirit, full of light and movement".

Standing in front of the painting, "Symphony of Light", one can view a quotation mounted on the wall. It goes, "Like the sound of river, Symphony fills the air with the sound of legato and staccato, blessed by the light of heaven".

I will leave you with those thoughts. (FADE TO: The dark of day as the brilliance of moonlight rises). Ask Yumi. She has a secret of Light to share with you.

"White Swans", by artist YUMI
IMAGES ARE COPYRIGHT PROTECTED

Yumi Climenson lives in La Mesa, California and is an accomplished oil painter. She may be contacted at yumiart@juno.com or through her website: www.yumi-art.com.

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted 2010, all rights reserved

Travel "To the End of the Earth" with Steve Gould, photographer

2010-08-11T15:50:00.000-07:00

"Five Penquins" by STEVE GOULD, photographer
IMAGES ARE COPYRIGHT PROTECTED

Hello All,

Step into Gallery 21 in Spanish Village Art Center this week, and be "transported to another world". A world of "blue ice and mystically rugged frozen terrain" not seen or experienced by many. A world surrounded by magnificent snow-capped mountains, fathomless "azul" ocean depths defined by towering islands of ice and home to some of nature's most mystifying and captivating stoic creatures.

Enter the world captured by photographer, Steve Gould on his trek... "To the End of the Earth".

A sense of quiet beauty surrounds you as you step into the gallery of this fierce and frozen world. The soft melodious notes of "Pastorale" by Tingstad and Rumbel, a perfect mixture of woodwinds and guitar, mesmerize as you wander through the exhibit. There is an immediate hush that falls over spectators, interspersed by spontaneous intakes of breath, as they become engrossed in the beauty of this Antarctic landscape and its inhabitants. Hold your breath and squint your eyes, and you're almost there. Ahh, do you feel the temperature change?

As one meanders through the gallery, moving almost as in a dream, it becomes apparent that Steve Gould has done a spectacular job of transporting us to this region which includes the Falkland Islands, South Georgia Island and Antarctica. Temperatures in these treacherous regions range from the low 40 degrees (in the Falkland Islands) to the high 30's or just below freezing on South Georgia Island. In Antarctica temperatures can drop from freezing to 30 degrees lower in a matter of minutes, and [weather] is often characterized by high winds and fierce snow storms. Fortunately, this did not occur during the expedition.

From December 30, 2009 through January 24, 2010, Steve and his wife, Mary traveled with 94 other "adventurers" and the staff of the Cheeseman's Ecology Safaris, in order to witness and photograph the migratory breeding cycles of some of the world's most amazing and beloved wildlife. Freezing temperatures and harsh circumstances notwithstanding, the expedition visited five of the Falkland Islands for 3 days. With expectations high, the "adventurers" then cruised on to South Georgia Island, staying for 6 exhilarating days with a final (and much anticipated) destination of West Antarctica where they stayed for 7 days.

Of his show, Steve says, "In this exhibition, I share with you some of the amazing sights. I hope they convey many of the emotions I felt during these amazing 26 days".

Steve has more than accomplished what he hoped to do with this fantastic collection of photographs. On South Georgia Island, there is a magnificent array of King penguins standing and mingling with fur seals on beaches and nesting plains. Fur seals lounge, recline and nap in various positions for the spectators' delight. Comical and intriguing Adelie, Gentoo and Chinstrap penuins gather in Antarctica. Humpback whales raise their flukes to the sun in Antarctic Cierva Cove, Antarctica. The "blue icebergs" of Devil's Island hypnotize and hold viewers in thrall with their color and abstract form. The fierce and relentless terrain evokes awe and commands respect.

Of all the wondrous images in the exhibit, the ones of the King penguin are my all time favorites. Steve has more than successfully captured the true magnificence of these stoic and beautiful creatures. Among my favorites are the photographs showing King penguins standing, feeding, nesting and marching across the penguin "highways" that they travel. What is it about the majestic penguin that fascinates and so captivates our imagination and admiration?

There is a quotation on the left wall of the gallery, as you move to the upper level, that describes this fascination perfectly. The quotation goes, "All the world loves a penguin: I think it is because in many respects they are like ourselves... Had we but half their physical courage, none could stand against us...so full of curiosity that they have no room for fear". (Quotation by Apsley Cherry-Garrard, "The Worst Journey in the World") (The Scott Expedition)

"Kings on the March" by STEVE GOULD, photographer
IMAGES ARE COPYRIGHT PROTECTED

One can truly appreciate Steve's naturalistic approach to photographing his subjects in their environmental surroundings. There seems to be a purity to his capture of the elements and wildlife in actuality, without any projection of ego or contrivance to the image. The viewer sees King penguins, Adelies and others doing what penguins, naturally, do. The titling of his photographs also reflects this clarity as in "Five Kings" and "Kings on the March". [No artifice. Just...Penguins.]

In contrast, "Whiskers", a photograph of a fur seal, is amusing because it looks as if the seal actually knew his picture was being taken, and so posed for the photo. Is there such a thing as "seal serendipity"? Another magnificent shot, "Salisbury Plain, South Georgia Island", depicts a mind boggling 130,000 King penguins and baby chicks, interspersed with a few fur seals, stretching for miles over a panorama which ends in the snowy mountain backdrop of South Georgia Island. Can you imagine trying to find your own baby chick in that number of penguins? What natural instinct, and then some!

The contrast and juxtapositions of the wildlife to its habitat are particularly awe-inspiring in Steve's photographs. In his, "Tortured Rock", which depicts a shear massive "crag" of weatherhewn rock plummeting to a beach at Fortuna Bay, South Georgia Island, King penguins and fur seals wait, perhaps, for the weather to change. The massiveness of the cliff makes a dramatic contrast to the King penguin whose size is not meager. The impressive "Kings" are dwarfed by the wall of rock rising into the air.

Other impressive works, include "Iceberg Window" in the Devil Island, and "Devil Island Iceberg", Devil Island, Antarctica. These two lovely photographs led me to ask Steve, "Why are icebergs blue"? A trip to the exhibition is certainly worth attaining that information from Steve. (Though, he may wish I hadn't prompted you to ask.)

With so many intriguing images to view at "To the End of the Earth", you may find yourself forgetting that question and coming up with a plethora of your own. This show surely boasts "azul waters, blue icebergs and 130,000 reasons" (penguins, that is) to visit Steve Gould at Gallery 21 located in Spanish Village Art Center and beautiful Balboa Park. The show runs from August 4 - August 16, 2010, and is open from 11:00 a.m. to 4:00 p.m. daily.

"Devil Island Iceberg" by STEVE GOULD, photographer
IMAGES ARE COPYRIGHT PROTECTED

Steve Gould is a diversified and accomplished photographer and may also be contacted at his website: Steve Gould Photography [www.stevegouldphotography.com]. This impressive exhibition had write ups this month in the La Jolla Light, San Diego Magazine and Performances Magazine.

Thank you, Steve, for taking us "To The End of the Earth" where an astounding cycle of nature continues every year! How fortunate for us to have seen this miracle, "looking through an Iceberg Window and the eyes of Steve Gould"!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted 2010, all rights reserved

"Painters' Perspective" - Challenge at Gallery 21

2010-08-11T12:48:00.000-07:00

SHARON FEINGOLD'S, "Muted Greens"
IMAGES ARE COPYRIGHT PROTECTED

Hello All!

Long time, no write. I've had a very busy few weeks since my last blog, and what a great time to bring everyone up to date on the latest news at Gallery 21 in Spanish Village Art Center. Good news is never too late, and great art is never forgotten or passe. Which brings me to the recent exhibit of the "Painters' Perspective" in Gallery 21. This exhibition "challenge" ran from July 21, 2010 through August 2, 2010.

A select group of 50 painters who paint under the tutelage of Linda A. Doll [www.lindadoll.com], aws, nws, internationally renowned painter, digital artist, instructor and juror, recently participated in an "art challenge" where 3 challenges were presented to them for creating works of art based upon the particular criteria set forth by Ms. Doll. These painting "solutions" were submitted in various media by the artists and critiqued by Ms. Doll for the exhibition. The resulting works of art were intriguing and as individual as each of the artists participating in the challenge.

Having Linda Doll as a mentor is a tremendous "boon", to say the least, as is evident in the works displayed in the exhibit. Ms. Doll's credentials read like a well tuned Stradivarius and are as follows,(quote): "A teacher of workshops and seminars throughout the U.S., Mexico, Canada, France, Italy, Greece, Spain, Ireland and Bali". (!!!) (Wait, there's more.) She is a past-President and Life Member of the National Watercolor Society, a past Board Member and Juror of the American Watercolor Society, and a past Board Member of Watercolor West. (It continues...) She is a Life Honorary Member of the Federation of Canadian Artists and an elected Life Member of the San Diego Watercolor Society...is included in...Who's Who in American Art and Who's Who of American Women.(unquote) Whew!!! Challenge or Gift to the Universe? I'll let you decide! She's certainly got the "right stuff" that one needs to be a mentor. Ms. Doll, take a bow!

With all of this motivation, the artists meet at Linda's home on a monthly basis for mentoring, challenges and critiquing of their work. Ms. Doll frequently showcases her students' work in exhibitions such as the "Painters' Perspective" to show creative solutions to the challenges she gives them. These challenges are designed to get students to push the limits of their individual and separate talents, in order to create or "recreate" art that is either already in some stage of existence or waiting to be discovered and given fruition.

I was intrigued by this concept when I visited the exhibition, and was given some interesting insights to the process by which the artists worked. Martha Grimm, who is a watercolorist in the show, has been wonderfully generous with sharing information about the challenge, and caught my attention with her "solution" to one of the challenges on color usage.

As one walked through the show, each of the challenges was presented along with the artists' solutions to the assignments. Each challenge was displayed on a separate wall of the gallery with a description (of the parameters) of the assignment as set forth by Ms. Doll. The first of these (as you entered the gallery) was to Recycle an "Old Painting". Ms. Doll states, "Artists were randomly given an old painting from another artist who wasn't happy with the painting they had done and wanted to abandon it. The challenge was to create a new painting from the old one using elements of the original painting but completing it using a new creative solution. I believe many artists give up too early on a painting and need to come back to an unsuccessful painting with a fresh idea and story".

The next challenge was two-fold in as much as the artists were given the choice of "Painting in Specified Colors". There were two color choices: Pure Orange and Muted Greens. The artists were given sample photos showing these color choices utilized in interiors. They could use any combination of the colors shown in the photos to then create a painting reflecting these palettes. Pure Orange colors were to be luminous, bright, glowing and bold carefully or randomly placed with whites. However, the overall composition should maintain a balance between the alternating white areas of the painting and the use of color. Muted Greens, ofttimes considered to be "neutral" in the color spectrum, are calming and restful with a soothing effect when observed in muted form. As a painter, myself, these two challenges intrigued me the most. I chose two paintings that captured my attention [within this challenge] to share with you: Sharon Feingold's, "Muted Greens" and Martha Grim"s, "Heads or Tails", one from each of the two color challenges.

The third challenge in the exhibition was to "Paint a Still Life" from a collection of objects brought in by the artists. The objects were placed randomly on a table and the artists chose which of these objects they wanted to include in their painting composition. The artists were given no "limitations", and could paint in any style and medium that they wanted. A collection of "pig figurines" were among the intriguing items brought in for painting, as well a selection of vintage radios and a collection of fabrics. There was a delightful mixture of objects in the still life paintings created for this particular challenge. Among the pig collection, was an unforgettable red, black and white pig that surfaced in quite a few of the stilllifes, fairly dominating the scene with its undeniable presence and strong color contrasts. Who was that "masked piggy"? Hmmm. I guess "pigs may come, and pigs may go", but that little piggy will stay in every one's memory and those stilllifes forever.

Summarily, it seems that Ms. Doll and the Painter's Perspective group is a very interesting and educational concept. If I didn't have such a full schedule, I would certainly entertain the idea of joining them for those once a month critiques. Ms. Doll is an inspiring teacher, and her pupils show an aptitude for painting that is notable. I think that they have all successfully risen to the "challenge" of this exhibition, heightened their awareness, honed their skills and turned out some great artwork to boot.

Thanks and a "Great Big Shout Out" to all of you who participated in this exhibition. I, and the greater public, look forward to seeing you all again at Gallery 21.

MARTHA GRIM'S, "Heads or Tails"
IMAGES ARE COPYRIGHT PROTECTED

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted 2010, all rights reserved

"Point of View" at Gallery 21

2010-07-14T10:51:00.000-07:00

"Cactus Dahlia" by JOHN VALOIS, photographer
IMAGES ARE COPYRIGHT PROTECTED

Hello All.

Currently running at Gallery 21, in Spanish Village Art Center, is "Point of View", an exhibition of Photography and Digital Art. The show runs from July 7-July 19, 2010. The exhibition features six talented photographers and digital artists. They are Phyllis Weiss, Lev Tsimring, Arthur Lavine, Dana Levine, Janine Free and John Valois.

It is a lovely and innovating mixture of subject matter and techniques that invites the eye, stimulates the imagination and touches the emotions. "Point of View" is open 7 days a week from 11:00 a.m. to 3:00 p.m. Gallery 21 is located at 1770 Village Place, Balboa Park, in the heart of Spanish Village Art Center.

Arthur Lavine was a freelance photographer in New York in the '50's and is considered a part of the New York School of photographers. His works have appeared in Newsweek, Glamour, Fortune, Look, Life and Parade to name a few. Dana Levine has a PhD.in Biochemistry. She spent her professional career as a scientist and educator, but it was her interest in fine art and painting that eventually led her to digital art. Janine Free grew up in France. A workshop with Canadian photographer, Freeman Patterson, along with her extensive background in film making, launched her career into digital photography. Lev Tsimring's passion for photography started in Russia over 30 years ago. A theoretical physicist, no less, by profession, Lev zoomed in on digital photography and creates his own limited edition prints.

Phyllis Weiss' talent and visual awareness is clearly apparent in her capture of floral images. I especially like the image of the magnolia blossom where the stamen have fallen onto one of the petals. This amazing shot hails to Phyllis' true understanding of "capturing the moment". John Valois, primarily self-taught, likes the flexibility and range of possibilities offered by digital photography. Having started as a painter, John appreciates the feel and textures created by the brushstroke, and transfers this knowledge into his digital work. He quotes Ezra Pound as saying, about the definition of an artist's image as, "an intellectual and emotional complex in an instant of time". I think Ezra and John have a clear understanding of the transfer from the real to the digital image.

As a matter of fact, as accomplished photographers, so do they all. Do visit this intriguing show in Gallery 21, and let their visions transport you to a new awareness. They have "captured" images, moments in time and emotions that stir and evoke the senses.

I do have to say that John Valois', "Cactus Dahlia", gives me pause. Not because it is my favorite flower, but because it so resembles a "real painting" with his very clever use of the brushstroke tool. "Photoshop, I presume Mr. Valois"? You give us poor "brush" painters a bit of an alarm!

All right, Mr. DeMille. I'm ready for my "close up", now!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted, 2010, all rights reserved

"Boy, Columbia" by ARTHUR LAVINE, photographer
IMAGES ARE COPYRIGHT PROTECTED

Painted Tiles, Pizza and Cupcakes?

2010-07-14T08:04:00.000-07:00

Hello All.

Well, we are back for the "wrap up" on the Patio Painting Party at the Village. So...here's the "dish"!

As I predicted, it looks like everyone had a ball. Judging by the photos, (Thanks, Mo; that's Maureen King to non-villagers) spirits were high and some serious application of paint took place. Just take a look at Mary Renner with that cupcake and the paint tray. The painting doesn't appear to be started yet, and Mary is already doing acrobatics! I guess that just goes to show what happens when you combine cupcakes with tile painting. And, don't blame it on the paint fumes. The paint is water-based! At any rate, Steve Maddy and David Young are taking the job seriously, and divvying up the paints in true "artist style".

Likewise, Barbara Earhart and Kathy Waller are concentrating on their tile painting precision while Barbara Reemelin does some quick leaf removal in her area. Too bad Barbara Reemelin didn't do a layered tile painting or two here and there on the patio. As a former studio partner of mine, I can vouch for her expertise in laying down color on a painted surface.

I asked Ellie Hitchcock if there were any hilarious moments during the party, and she commented, "Well, you know we always paint with such concentration that we forget to look where we are, when we are painting. And, then we look up and are "trapped" between the wet tiles and don't exactly know where to step next"! Ah, yes, I remember it well.

All in all, the painting went well and there was a great turnout of artists for the task this year. I only hope no one had to see their chiropractor after it was all over. Judging by the panoramic shot of the patio, Brigid Delano and Barbara Reemelin are the only two who took a painting position that was easy on the back! All for a good cause, huh gang? Thanks to everyone, and GOOD JOB!

Oh, by the way...I still didn't find out who ate the most pizza, and I don't see Jon Evans in the photos. Hmmm. That will teach me not to gamble. Will the real "winner" please stand up? Maybe this year's real winner is Mary Renner with that "Cupcake Dance"!

Same time...Same place next year, Villagers!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted 2010, all rights reserved

Coming Soon! "Painted Tiles, Pizza and....

2010-07-08T21:34:00.000-07:00

Hello All.

In preparation for our annual "Open House Celebration" each year, the artists of Spanish Village Art Center turn out for the "Patio Painting Party", one week ahead of the big event! "Man, you talking 'bout a...Man, we really have a PARTY" !!! It is painting, pizza and a "whole lot of fun going on"!

The painted tiles are one of the main attractions for young visitors to Spanish Village Art Center. Kids and parents alike love to "hopscotch" from tile to tile choosing which colors they like best. Sort of like "connect the dots", only with painted tiles instead.

This year's painting party took place at 4:30 p.m. today, July 8, 2010, on the Spanish Village Art Center patio, and ...

Blaaanh...hhh ! Oh, darn! Was that the buzzer? Blaaanh ...hhhh! (You thought I was kidding about the "page turner" thing didn't you)?

Sign in to the next blog to see "who painted who, and who ate the most pizza"! Ha! Confidentially, I'm placing my bet on Jon Evans for the "Pizza King, 2010"!

Sorry Jon! The pepperoni is out of the box, now!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted 2010, all rights reserved

Painted Ladies in Gallery 21

2010-07-03T08:10:00.000-07:00

"Bursting Out", by artist, ROSALIND OWEN

Hello all.

Well, have I got your attention, now? I hope so, because you do not want to miss the spectacular exhibit currently running in Gallery 21, here at Spanish Village Art Center.

It, of course, is titled "The Painted Ladies", and is running June 24 - July 4, 2010 from 11:00 a.m. to 4:00 p.m. daily in Gallery 21, located in the heart of Spanish Village Art Center at 1770 Village Place, Balboa Park.

I knew this show would be fun and exciting when I happened to run into one of its participants lugging a sign board to the entrance of the Village. Blazoned across the top of the sign was the title, "The Painted Ladies" written in red calligraphy! It certainly got my attention, and gave me a good laugh to boot. So, I went in to "check it out".

Who are the "Painted Ladies", and what are they doing here? (Sound familiar)? Well, let me tell you. "They are nine women and one willing man dedicated to the creation of art in the medium of their choice, who find joy in each other and their work and successes. They are all members of local art associations and other organizations committed to educational achievement". Some mission statement, huh?

The exhibit includes over 100 original paintings and photographs, art-crafted jewelry, giclee prints of the original works and art greeting cards.

And, now let me introduce you to these ten artists who share a common painting mentor, "Ruby Agnew Vogt", as well as their dedication to the arts. Drum Roll, please!

Sue Blass, Paula Bentley, Tom Bentley, Deva Claridge, Carolyn Curtice,Fredda Ferguson, Roz Owen, Joyce Philpot, Gladys Tully and Julie Villanueva.

Exceptional job, Ladies and Gent. (I wonder if we should dub our "Gent" the "illustrated man")? "What say you"? I say to everyone, "Get in there and see this show", especially to the fourth of July visitors to Balboa Park!

A special thanks from me to Gladys Tully for helping me with the information on the show, and to whoever that particular "Painted Lady" was toting the sign across the patio.

Run, don't walk to the "Painted Ladies" Show. Maybe some of the "paint/ink" will rub off on you!

Written and posted by Cassandra Shepard, Studio 32
all text and content copyrighted 2010, all rights reserved

IMAGES ARE COPYRIGHT PROTECTED

What's Happening at the Village!

2010-06-29T21:27:00.000-07:00

Hello all.

It's that time of year for our "Annual Open House Celebration". Each year Spanish Village Art Center hosts its much anticipated "Open House" to thank all of our loyal customers and friends for their support and interest throughout the year. The event takes place on Saturday, July 17, 2010 from noon to 7:00 p.m. Something new for us this year. We have had so much fun with our evening event in the past that we wanted to extend it into the daylight hours too.

We have some wonderful attractions planned for the day. Our much anticipated "Silent Auction" is always a big hit with visitors. In addition, this year we have added a display of the entries for the Egg Artistry contest, Steam Powered Giraffe, the original singing musical robots, and the artistic sounds of music by Pucello and Schlegel. And, as always, for our connoisseurs of fine foods and beverages, there will be the villagers' usual outpouring and overflow of great finger foods and cool drinks! We seem to be as good at creating great dining as well as great art.

Now don't get so carried away with eating that you overlook all of the "fantastic" art in the studios and on the patio. We invite you to browse through each studio and fill your senses with the amazing fare that Spanish Village Art Center has to offer. Many of our talented members will be set up on the colored tile patio with their arts and crafts. It will be a day of fun, food and art to "knock your socks off"... don't you know! So, "come on down" and join the merriment.

The event is being chaired by Kathi Vargo in studio 8. For additional info, call studio 18 at (619)233-9050 between the hours of 11:00 a.m. and 4:00 p.m.

See you there! Or, as they say in Texas, "Y'all Come"!

Catnip Connection 4

2010-06-17T19:41:00.000-07:00

The 4th Annual “Catnip Connection 4” all media fine art exhibit kicked off on June 9, 2010 and will run through June 21, 2010 at Gallery 21 located in Spanish Village Art Center, at 1770 Village Place, Balboa Park. The exhibit is open from 11:00 a.m. to 4:00 p.m. daily. A special gift of 10 percent of the show proceeds will be donated to the Feral Cat Society to support the organization.

Of course it should come as no surprise that all subjects in the show are of the “feline persuasion”. “And, How”! A magnificent collection of paintings, sculpture and ceramics depicting a “day in the life” of the CAT. Oh excuse me … the “fabulous feline”! This annual exhibit is co-coordinated by Vicki DeLong and Marji Huntington, and was juryied by Susan E. Roden, nationally acclaimed pastel artist.

The exhibit houses the works of 35 remarkable artists. The show awards went to the following artists:

First Place: Mary-Ella Keith for "Cat/Shadow Cat”
Second Place: Pat Beck for "3 Kings of Siam”
Third Place: Ally Benbrook for "In Your Face”

Honorable Mention:

Marji Huntington for "Cattitude”, Susan Salazar for "It’s Good to Be King” and Teresa White for "Patches”

The People’s Choice Award went to Don Knapp in Studio 3 (SVAC), for “I Spot a Tiger”.

All of the amazing art deserve an award, but I would be remiss if I did not mention my appreciation for Susan Roden’s magnificent pastel which hangs behind the reception desk at the entrance of the show. Susan never fails to astound me with her use of color and expert manipulation of her medium.

Kudos to you all. You done the “kitties” proud! (And, you didn’t let us down, either). Thanks a million. Looking forward to next year’s show. Meow!

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted 2010, all rights reserved

"In Your Face", by artist, ALLY BENBROOK
ALL IMAGES ARE COPYRIGHT PROTECTED

Welcome to Spanish Village Art Center blog!

2010-06-17T19:36:00.000-07:00

Hello all.

Let me introduce myself. I am Cassandra Shepard, silk/fiber artist and jewelry designer, (lessee) in Studio 32 at Spanish Village Art Center in Balboa Park. To all of you “art lovers” and enthusiasts out there, “Welcome to the new and intriguing Spanish Village Art Center blog. The artists and crafters here send a great big “shout out” to everyone, and invite you to tune in to our blog regularly. I hope the SVAC blog will be a real page turner and your source for fun and innovating exploration into the arts at Spanish Village Art Center.

We are located at 1770 Village Place, Balboa Park in San Diego, California. Our office is in Studio 18, and the telephone number is (619) 233-9050. Spanish Village Art Center is open 7 days a week from 11:00 a.m. to 4:00 p.m. Look us up at our website anytime : http://SpanishVillageArt.com. Browse through our list of fantastic artists and studios, consider taking a class or just learn more about us.

I will be keeping you abreast of the events and “goings on” in the Village, as well as featuring articles on points of interest about Spanish Village Art Center, its history and the many and varied artists who are a part of our membership. No small task...albeit a pleasurable one.

So let’s get this party started! Right? A great place to start is the current showing in our on site Gallery 21, located in the heart of the Village at 1770 Village Place, Balboa Park in San Diego. It is an annual exhibit that is called “The Catnip Connection 4”.

Oops! You’ll have to check out the next blog! "Page turner", remember?

Written and posted by Cassandra Shepard, Studio 32
text and content copyrighted 2010, all rights reserved